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Choreographer(s) : Ben Aïm, Christian & François (France)
Present in collection(s): Christian et François Ben Aïm
Choreographer(s) : Ben Aïm, Christian & François (France)
Present in collection(s): Christian et François Ben Aïm
In this piece Christian and François Ben Aïm attempt to explore desire, the source of powerful forces, a boundless energy that continually pushes the body to move in an inordinate quest towards an inaccessible goal. Conceived as the driving force of the performers on stage, it breathes life into them, giving each movement a spontaneous sense of urgency that is by turn creative or destructive.
What state does our perpetual yearning plunge us into ?
How does desire interfere with our gestures and movements?
What relationships does it prompt us to form with others?
Are we thinking puppets in an unconscious or invisible world?
La légèreté des tempêtes (Lightness of storms) analyses the states into which the beings around us are plunged by their irrational appetites.
THE MUSIC: ANOTHER CHARACTER IN THE PIECE
The music plays a central role in this piece, because the musicians appear on stage with the dancers, and the set design puts them at the forefront.
The choreographers commissioned composer Jean-Baptiste Sabiani to write an original score, which is performed on stage by a contemporary group of three cellists and a singer-percussionist. La légèreté des tempêtes is the fourth composition Jean-Baptiste Sabiani has created for Christian and François Ben Aïm. For the first time, they asked the composer to write the score before the rehearsals. This meant they had to adopt a new approach that involved writing the choreography based on the music.
A CONVULSIVE DANCE
Christian and François Ben Aïm explore the frontiers of desire through a precise, convulsive style of writing that manifests as a succession of sensations and resonances, consisting of rupture, urgency and grace, leading to states of suspense and swirling, resistance and release, chaos and calm.
The performers are gripped, sometimes involuntarily, by states, emotions and impulses that overtake them and that they can see working inside them. It doesn’t matter whether these states are joyous, serious or distressing – the dancers observe the reactions they arouse in them with the same interest, simply for the pleasure of the experience.
Through the prism of these contrasts, the choreographers create an insightful map of the world that surrounds us, and experience its harsh realities on our bodies, thoughts and feelings.
For more than twenty years, Christian and François BEN AÏM have been building a work rich of poetry and high standards, fraternal bond and singularity.
At the end of a multidisciplinary training combining dance, physical theater and circus, each one follows his path as a performer, then the two brothers meet to create À l’abri du regard des hommes, avant d’aller mourir ailleurs, a hybrid dance-theater piece which marks the beginning of their collaboration in 1997. Twenty pieces will follow which anchor their fieldwork as much as they travel internationally. They draw their inspiration from literary, musical and pictorial sources, and intimately mixing artistic disciplines on the stage : En plein coeur (2006), Valse (2010), The Ogresse on archives and her dog (2011), Lightness of Storms (2014), Burn, rebellious hearts (2017), Mirages — boreal souls (2018), Arise (2019), JESTS (2021).
Marked by an uncompromising energy, summoning the performer to an intimate relationship with movement, the dance of the BEN AÏM brothers offers, beyond a speech, an experience, a "crossing" that the dancer performs in front of our eyes, that he lives each time with the sincerity of a full and entire presence.
With this demanding writing comes an art of composition which gives birth to the stage an imagination borrowing from dreams, from the marvelous of the tale and from invisible realities. Through a subtle effect of empathy, the audience enters an unstable world, where everything is the object of poetic questioning - a world to be experienced together.
Snapshots - A series femal solos
Brûlent nos coeurs insoumis (Burn, rebellious hearts)
Peuplé, dépeuplé (Inhabited, uninhabited)
La forêt ébouriffée (The Dense Forest)
L'Ogresse des archives et son chien
Ne vous fiez pas au titre, il peut encore changer
La Frontera
L'enfant du miroir
L'homme rapaillé
A l'abri du regard des hommes, avant d'aller mourir ailleurs
Artistic direction / Conception : Christian et François Ben Aïm
Choreography : Christian et François Ben Aïm
Choreography assistance : Jessica Fouché
Interpretation : Danseurs Aurélie Berland, Florence Casanave, Mélodie Gonzales, Christian Ben Aïm
Original music : Jean-Baptiste Sabiani
Live music : Violoncellistes Mathilde Sternat, Lili Gautier, Frédéric Deville ou Frédéric Kret, Chanteur-percussioniste Bruno Ferrier
Lights : Laurent Patissier
Costumes : Dulcie Best
Settings : Olivier Crochet, Timothy Larcher
Sound : Sébastien Teulié
Other collaborations : Régie générale et plateau : Luc Béril ou Olivier Mendili, Regards extérieurs : Anne Foucher, Pierre-Antoine Thierry, Recherches iconographiques : Clémence Beauxis
Exposition virtuelle
Exposition virtuelle
Depuis sa création en 1984, la Fondation BNP Paribas soutient les arts de la scène. Attentive à la qualité de son engagement auprès de ses partenaires, elle veille à accompagner leurs projets dans la durée. Découvrez les engagements de la Fondation.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Webdoc
Webdoc
Parcours
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Parcours
Parcours
Parcours
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Parcours
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Parcours
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Parcours
Parcours
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.