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2018 - Director : Pascal, Tommy
Choreographer(s) : Naharin, Ohad (Israel)
Present in collection(s): Chaillot-Théâtre National de la Danse
Video producer : Bel Air Media
2018 - Director : Pascal, Tommy
Choreographer(s) : Naharin, Ohad (Israel)
Present in collection(s): Chaillot-Théâtre National de la Danse
Video producer : Bel Air Media
Ohad Naharin's shows finally available on DVD and Blu-ray! With The Art of Ohad Naharin, two ballets of the artistic director of the Batsheva Dance Company, filmed in Chaillot, are available: Naharin's Virus and Last Work. On sale at the bookstore Chaillot - National Dance Theater, the bookseller of the Maison de la Danse de Lyon and on the Inrocks website.
Born in 1952 on Kibbutz Mizra, Ohad Naharin began his dance training with Batsheva Dance Company in 1974. During his first year with the Company, guest
choreographer Martha Graham singled out Naharin for his talent and invited him to join her own company in New York. Whilst in New York, Naharin studied on a scholarship from the America-Israel Cultural Foundation at the School of American Ballet, The Juilliard School, and with Maggie Black and David Howard. He went on to perform one season with Israel’s Bat-Dor Dance Company and Maurice Bejarts Ballet du XXe Siecle in Brussels.
Naharin returned to New York in 1980, making his choreographic debut at the Kazuko Hirabayshi studio. From 1980 until 1990, Naharin has presented his works in New
York and abroad and was invited to create works for different companies, including Batsheva, the Kibbutz Contemporary Dance Company, and Nederlands Dans Theater. Simultaneously, he regularly worked in New York with a group of dancers on different projects, together with his first wife, Mari Kajiwara. Naharin and Kajiwara worked together for many years, up to her death from cancer in 2001.
Naharin was appointed Artistic Director of Batsheva Dance Company in 1990 and has served in this role until today. During his tenure with the company, Naharin choreographed over 30 works for Batsheva and its junior division, Batsheva - the Young Ensemble. Alongside his work as a choreographer, Naharin developed Gaga, an innovative movement language intended for everyone. The dancers of Batsheva Dance Company train with Gaga on a daily basis, and it is also taught to dancers and the public worldwide by certified teachers.
Source: Batsheva Company 's website
More information : batsheva.co
Obsessed with the expression of bodies in motion, Tommy has been devoting himself to direction since 2007. He was a professional dancer for 18 years (Béjart Ballet Lausanne, Ballet Preljocaj, ...).
The Théâtre National de Chaillot is one of the five French national theatres (public institutions whose missions are defined by the State) and the only one to have a project built around and based on dance. Under the double supervision of the Ministry of Culture and Communication and the Ministry of Budget, it has been directed since 2011 by the choreographer and dancer Didier Deschamps.
The legend of Chaillot
Installed at the heart of the Palais de Chaillot, the Théâtre National de Chaillot, that became in 2016 Chaillot – National Theatre of Dance, is one of the most prestigious cultural institutions of Paris, not only for the unique place it has in the history of performing arts – namely with the great adventure of the National Popular Theatre founded by Firmin Gémier, then carried and developed by the mythical personality of Jean Vilar – but also in that of France and the world as it is in the big theatre room that the Universal Declaration of Human Rights was signed on the 10th of December 1948. An exceptional venue in the capital, the theatre can welcome each night more than 1 600 spectators, in its three rooms (Salle Jean Vilar of 1 200 seats, Salle Firmin Gémier of 390 seats, Studio Maurice Béjart of 100 seats). Its Grand Foyer facing the Trocadéro Fountain, the Eiffel Tower and the Champ-de-Mars, permanently offers one of the most famous views in the world. The public spaces of the theatre are also host to an important collection of sculptures, paintings, frescoes and pastels signed by the greatest artists of their time: Paul Belmondo, Louis Billotey, Pierre Bonnard, Maurice Brianchon, Roger Chapelain-Midy, Maurice Denis, Othon Friesz, Henri Laurens, Aristide Maillol as well as Édouard Vuillard.
Source: Chaillot-Théâtre National de la Danse
En savoir plus: www.theatre-chaillot.fr/en
Artistic direction / Conception : Ohad Naharin
Choreography : Ohad Naharin
Production / Coproduction of the video work : Bel Air Media / Xavier Dubois
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
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Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
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Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
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Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
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Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Webdoc
Webdoc
Parcours
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
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Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
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Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
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Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
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Parcours
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Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
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Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
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Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.