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2000
Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
2000
Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
In 1980 Joëlle Bouvier created the company L'Esquisse with Régis Obadia. Together, they have produced 15 choreographic works performed around the world and co-produced 4 short films, recipients of awards in numerous festivals and produced several videos, including "Casser la Voix", by Patrick Bruel. She was co-director at the CCN in Le Havre from 1986 to 1992, and at the CNDC in Angers from 1993 to 2003.
2004, she created the Cie Joëlle Bouvier and set up a creative workshop at the Scène Nationale des Gémeaux, in Sceaux, from 2004 to 2008.
2015 she returned to ballet at the Grand Théâtre in Geneva for the creation of Tristan & Isolde - Salue Pour Moi Le Monde, with the music of Richard Wagner.
At the same time as she was actively creating, Joëlle Bouvier was invited to produce events, such as a display activity at the Printemps department store in Paris in March 2002, and June 2007. In August, 2006, she performed for the launch of a new Chinese cosmetic product at the Palais des Congrès in Paris, then in China. Since 2012, she has worked with Maison Hermès on a show about shoes, presented in Hermès subsidiaries around the world.
Source: The Company Joëlle Bouvier 's website
More information : joellebouvier.com
Régis Obadia was born in 1958 in Oran, Algeria. He studied dance from 1976 to 1979 at the Institut des Arts et du Mouvement, run by Françoise et Dominique Dupuy, and was initiated into theatre by Jacques Lecoq. In 1980 he formed the l'Esquisse company with Joëlle Bouvier. Their earliest pieces thrust the pair into the national and international limelight.
Directors of the Centre National de la Danse Contemporaine, Le Havre from 1986 to 1992, they were appointed artistic directors of the CNDC, Angers in 1993, renamed CNDC l'Esquisse, which they directed until 2003.
Since 1998, Régis Obadia has pursued a solo creative career.
An important figure in modern dance since the early 1980s, Régis Obadia has marked the memories of those who have seen him with the feverish sensuality and powerful gestures of his pieces. With the founding of his own company in 2003, he asserted his distinctive style and his open-mindedness by working just as happily in the field of theatre as that of pure dance. His regular collaborations with Russia, in partnership with Lisa Wiergasova, have won him prestigious prizes, including a Golden Mask in 2004 for his choreography of “The Rite of Spring”, and a Seagull in 2004 for his direction of “The Idiot” at the Moscow
Chaika Festival. After “The Rite of Spring” to Stravinsky's music, he composed “Réversibilité” (2005), inspired by Baudelaire's “Les Fleurs du Mal” and “Trois” (2006), set to Schubert's “Death and the Maiden”, performed at the Théâtre Sylvia Montfort, Paris. During this time he also produced the Dominique Mercy documentary “Danse Pina Bausch” (2003), in homage to the iconic German choreographer.
Source : the company Régis Obadia's website
The National Center for Contemporary Dance - CNDC - was created in 1978 at the initiative of the Ministry of Culture and the City of Angers. It followed the B.T.C. Ballet contemporary theater directed by Françoise Adret and Jacques-Albert Cartier, transferred to Nancy. Designed as a school of choreographers and the headquarters of a permanent company, it is run by Alwin Nikolais for three years.
When Viola Farber succeeded him in 1981, the school specialized in the training of dancers. Viola Farber forms a new company and inaugurates a teacher training program.
In April 1984, the management of the CNDC was entrusted to Michel Reilhac. The center still trains dancers and teachers. It no longer has a permanent company but serves as a production platform through residences. Large companies of international renown (in residence for two to three months) and younger companies (in the context of the "Summer Quarters") are then present. This is how Merce Cunningham and his company inaugurate the large Bodinier studio and that successive personalities such as Régine Chopinot, Maguy Marin, Odile Duboc, Dominique Bagouet, Mathilde Monnier and Jean-François Duroure, Edward Lock, Hervé Robbe, Philippe Decouflé, Catherine Diverrès and Bernardo Montet, Daniel Larrieu, Trisha Brown, Wim Vandekeybus ...
In April 1988 the new director, Nadia Croquet, continues to develop a policy to support creation, with a more specific openness to Europe. In January 1993, Joëlle Bouvier and Régis Obadia were named artistic directors of the CNDC, then labeled CNDC l'Esquisse.
The CNDC, which became a national choreographic center (CCN) in the 1990s, reinforces its mission as a choreographic center through the production of shows and its role as artistic advisor while continuing the training. At the same time, from 1986 to 2006, he worked with the New Theater of Angers, a national drama center, to offer a program of choreographic performances, thus increasing the audience and the readability of the dance to the public by multiplying the glances on the creation contemporary.
In February 2004, the CNDC is under the direction of the choreographer Emmanuelle Huynh, it intends to perpetuate the tradition of experimental contemporary dance and offer a school in connection with the dynamics of contemporary creation. From 2011, the CNDC School has two major courses, one leads to the National Diploma of Professional Dancer (DNSPD) and the license, the second prepares for a master.
Robert Swinston, who was appointed artistic director of the CNDC in 2012 by the Board of Directors, takes office in January 2013. Create and encourage creativity, develop the legacy of Merce Cunningham, program shows in various aesthetics, train artists autonomous, versatile and of a high level as well as fostering the emergence of new talents, this is the purpose of his project for the CNDC. Communicating to the public the foundations of a creative approach, raising awareness among young people and making the CNDC shine at the local, national and international levels are Robert Swinston's objectives for the CNDC.
The directors of the CNDC since its creation:
Alwin Nikolais (from September 1978 to July 1981)
Viola Farber (from September 1981 to July 1983)
Michel Reilhac (from March 1984 to December 1987)
Nadia Croquet (March 1988 to December 1991)
Joëlle Bouvier and Régis Obadia (from January 1993 to June 2003)
Emmanuelle Huynh (from February 2004 to December 2012)
Robert Swinston since January 2013
Choreography : Joëlle Bouvier, Régis Obadia
Choreography assistance : Rafael Pardillo, Emilio Urbina
Interpretation : Étudiants de deuxième année de l'école supérieure du CNDC (promotion 1998-2000) : Bérangère Bodin Cédric Calvaire Ana Chon Hannes Donabauer Emmanuel Eggermont Pierre Lacroix Lorena O'Neill Rosalia Ortega Vicky Perez Miranda Juliette Roudet Nadia Sifer Grégory Sonigo Kamoun
Lights : Etienne Milin, Harrys Picot
Costumes : Lucie Guilpin Maira Garcia Gonzalez Michelle Amet
Sound : Alain Cherouvrier
Other collaborations : François Le Maguer (régie générale)
Production / Coproduction of the choreographic work : CNDC Angers
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Webdoc
Webdoc