numeridanse

"Mechanics of fluids" tells the choreographic creation of "Salam". Four dancers on stage and a musician. The adventure begins when Hervé Maigret, the choreographer leaves to audition two dancers in Palestine.

Discover the six episodes of the web-series dedicated to the 40 years of Montpellier Danse. The voices and memories of great figures of dance and Montpellier culture immerse you in the history of the festival and make you relive unique moments of dance.

Log book of the 12 months of creation of Attractions plurielles by Kitsou Dubois, choreographer in zero gravity. She tells about her unique approach: mixing scientific research and artistic work on the body in microgravity.

The Opéra national de Paris and the Institut Culturel de Google present in partnership on the site Art project - Google cultural institute several original and unpublished content enhancing the history and heritage of the Palais Garnier.

Why do we dance? Welcome to the official podcast of the Tanztheater Wuppertal Pina Bausch! Marc speaks with dancers, staff, and guest artists of the Tanztheater about Pina Bausch, dance as an art and form of expression, backstage secrets, the role of art in social and political debates, personal stories, the past, the present, and the future.

Raphaël Stora used to dance every spare moment he had, until he left that world to study film. He sifts through fifteen years of personal archives to revisit the Parisian hip hop scene of the early 2000s.

The Agora, international city of dance is a listed building in the inventory of historic monuments located in the heart of the city of Montpellier and home to two independent associations but both working for the development of dance: the National Choreographic Center from Montpellier Languedoc-Roussillon and Montpellier Danse. Visit now the Agora from home with those virtual tours created by Montpellier Danse.

An immersive digital time capsule curated by WePresent and Marina Abramović.

Immerse yourself in the extraordinary world of The Royal Ballet with a 360 degree experience following a young dancer as she prepares for her debut as a snowflake in The Nutcracker.

The Dansathon will take place from November 20 to 22. Three days during which technological, human and scenographic resources are brought together, to allow the creative teams assembled to imagine, explore and present their first prototypes.

#SKILLZ.COMPAGNIEPARTERRE.COM is a game on the exploration of hip‑hop dance, available to everyone via a touch-phone, computer or tablet.

Mix the Body is an interactive digital platform that lets users choreograph their own contemporary dance piece online, with the help of two Wayne McGregror's dancers.

Digital platform designed for the 30th anniversary of National Choreographic Centers (CCN), where each week are integrated new videos tracing the history of the CCN and that of dance in France.

A window on major works by Jean-Pierre Perreaut...

Delve into the beautiful digital journal here to see the process and experimentation of Xenos…

Webserie of video dance. Each episode is filmed in a unique and singular place with, each time, a new dancer.

The Perfect Place tells the story of a couple looking to recapture the spark they once had, delving deeper into the life of a seemingly perfect couple living in luxury and explores the emptiness and regret behind the perfect façade.

EN / Born from the desire of two French film makers, All we can do is dance is a collection of short dance films featuring dancers improvising in public places. Each film is shot in situ, in places with a strong visual impact. The project is about meeting dancers, listening to their vision of dance and their movement and building together a short filmed choreography.

How far are we able to go to meet the other? Some artists answer this question by choosing animal as stage partners. The webdocumentary "Comme des Bêtes" is an immersion in their unusual world.

How, in the near future, can the boundaries of the body and its identity be redefined? Eve 2050 invites audiences to engage in an artistic, aesthetic and ethical reflection on the future of human beings and the body in an age of digital technology, biomedical advances and artificial intelligence. Combining dance, video, music, visual and digital arts, the work takes on various forms to be presented in theatres, public spaces and online. The result is a fascinating integration of life and technology.

Web serie about 30 years of Hip Hop culture in France. Directed by Mr Rocket, the web serie takes up the challenge and explores hip hop from 1980 until today in all its glory.

Initiated more than 20 years ago, the technique Material For the Spine of Steve Paxton concentrates accumulated knowledges from his background—from the walk study to dancer experience, from Contact Improvisation exploration to the aïkido practice. In more than 3 hours and half, this interactive digital publication presents various underlying sensations and reflections of the technique and exercices and forms that constitue it. These original audiovisual documents are been realised during four collaborative years with Steve Paxton. They include, among other, improvisations and lectures of Steve Paxton, the result of motion capture sessions and experimentations, extracts from his lectures, workshops, and performances. This publication dives us into the Steve Paxton's world for the first time, it is also an exceptional tool to learn Material For the Spine.

Celestial Motion is inspired by the imagery of solar physics. Choreographed by Alexander Whitley and made in association with Sadler's Wells, the experience features 360-degree filming and motion-capture technology. The dancers are visualised both in human form and as other-worldly digital figures in a cosmic landscape.

The male dancer podcast is aimed at the young dancer, their teachers, their parents, families, friends and peers, with a focus on the male dancer. The author, Mark Pace, is a PhD candidate at the University of Edinburgh investigating the male classical ballet dancer. He was a professional ballet dancer for 20 years, dancing with the Australian Ballet, Béjart Ballet, Bayerischer Staatsballett, Ballet de l'Opéra National du Rhin.