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1999
Choreographer(s) : Bouvier, Joëlle (France)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers ; Festival Montpellier Danse
1999
Choreographer(s) : Bouvier, Joëlle (France)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers ; Festival Montpellier Danse
In 1980 Joëlle Bouvier created the company L'Esquisse with Régis Obadia. Together, they have produced 15 choreographic works performed around the world and co-produced 4 short films, recipients of awards in numerous festivals and produced several videos, including "Casser la Voix", by Patrick Bruel. She was co-director at the CCN in Le Havre from 1986 to 1992, and at the CNDC in Angers from 1993 to 2003.
2004, she created the Cie Joëlle Bouvier and set up a creative workshop at the Scène Nationale des Gémeaux, in Sceaux, from 2004 to 2008.
2015 she returned to ballet at the Grand Théâtre in Geneva for the creation of Tristan & Isolde - Salue Pour Moi Le Monde, with the music of Richard Wagner.
At the same time as she was actively creating, Joëlle Bouvier was invited to produce events, such as a display activity at the Printemps department store in Paris in March 2002, and June 2007. In August, 2006, she performed for the launch of a new Chinese cosmetic product at the Palais des Congrès in Paris, then in China. Since 2012, she has worked with Maison Hermès on a show about shoes, presented in Hermès subsidiaries around the world.
Source: The Company Joëlle Bouvier 's website
More information : joellebouvier.com
Choreography : Joëlle Bouvier
Choreography assistance : Lilo Baur
Interpretation : Gianni Joseph Panagiota Kallimani Eun Young Lee Loren Palmer Rafael Pardillo Ibanez Emilio Urbina
Artistic consultancy / Dramaturgy : Patrick Roudier (conseil musical)
Stage direction : Joëlle Bouvier
Lights : Rémi Nicolas, Frédéric Vannieuwenhuyse
Costumes : Rachel Quarmby
Sound : Papon Lofficial
Other collaborations : Poursuiteurs Harrys Picot et Benoît Pithon // Régie plateau Christian Frapreau // Régie générale François Le Maguer
Production / Coproduction of the choreographic work : Festival International Montpellier Danse – Montpellier, Centre national de danse contemporaine – Angers, Théâtre de la ville – Paris
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
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Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
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Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Webdoc
Webdoc
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Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Parcours
Parcours
Parcours
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
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Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
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Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
Parcours
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.