L'Effraction du silence
1995 - Director : Picq, Charles
Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
L'Effraction du silence
1995 - Director : Picq, Charles
Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
L'Effraction du silence
Bouvier, Joëlle
In 1980 Joëlle Bouvier created the company L'Esquisse with Régis Obadia. Together, they have produced 15 choreographic works performed around the world and co-produced 4 short films, recipients of awards in numerous festivals and produced several videos, including "Casser la Voix", by Patrick Bruel. She was co-director at the CCN in Le Havre from 1986 to 1992, and at the CNDC in Angers from 1993 to 2003.
2004, she created the Cie Joëlle Bouvier and set up a creative workshop at the Scène Nationale des Gémeaux, in Sceaux, from 2004 to 2008.
2015 she returned to ballet at the Grand Théâtre in Geneva for the creation of Tristan & Isolde - Salue Pour Moi Le Monde, with the music of Richard Wagner.
At the same time as she was actively creating, Joëlle Bouvier was invited to produce events, such as a display activity at the Printemps department store in Paris in March 2002, and June 2007. In August, 2006, she performed for the launch of a new Chinese cosmetic product at the Palais des Congrès in Paris, then in China. Since 2012, she has worked with Maison Hermès on a show about shoes, presented in Hermès subsidiaries around the world.
Source: The Company Joëlle Bouvier 's website
More information : joellebouvier.com
Obadia, Régis
Régis Obadia was born in 1958 in Oran, Algeria. He studied dance from 1976 to 1979 at the Institut des Arts et du Mouvement, run by Françoise et Dominique Dupuy, and was initiated into theatre by Jacques Lecoq. In 1980 he formed the l'Esquisse company with Joëlle Bouvier. Their earliest pieces thrust the pair into the national and international limelight.
Directors of the Centre National de la Danse Contemporaine, Le Havre from 1986 to 1992, they were appointed artistic directors of the CNDC, Angers in 1993, renamed CNDC l'Esquisse, which they directed until 2003.
Since 1998, Régis Obadia has pursued a solo creative career.
An important figure in modern dance since the early 1980s, Régis Obadia has marked the memories of those who have seen him with the feverish sensuality and powerful gestures of his pieces. With the founding of his own company in 2003, he asserted his distinctive style and his open-mindedness by working just as happily in the field of theatre as that of pure dance. His regular collaborations with Russia, in partnership with Lisa Wiergasova, have won him prestigious prizes, including a Golden Mask in 2004 for his choreography of “The Rite of Spring”, and a Seagull in 2004 for his direction of “The Idiot” at the Moscow
Chaika Festival. After “The Rite of Spring” to Stravinsky's music, he composed “Réversibilité” (2005), inspired by Baudelaire's “Les Fleurs du Mal” and “Trois” (2006), set to Schubert's “Death and the Maiden”, performed at the Théâtre Sylvia Montfort, Paris. During this time he also produced the Dominique Mercy documentary “Danse Pina Bausch” (2003), in homage to the iconic German choreographer.
Source : the company Régis Obadia's website
More information
Picq, Charles
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
L'Effraction du silence
Choreography : Joëlle Bouvier, Régis Obadia
Choreography assistance : Yann De Graval
Interpretation : Joëlle Bouvier Alexandre Castres Cyrill Davy Barbara Falco Bénita Kuni Régis Obadia Rafaël Pardillo Ibanez Anja Röttgerkamp Ina Wichterich
Stage direction : Denis Curty Mohamadi
Set design : Eva Dario
Original music : Patrick Roudier
Lights : Rémi Nicolas, Étienne Milin
Costumes : Marie-Cécile Winling
Other collaborations : Christophe Béraud (régie générale)
Production / Coproduction of the choreographic work : Co-production Centre national de danse contemporaine - Angers, Théâtre de la ville de Paris, Bunkamura (Tokyo), Les Gémeaux/Scène nationale - Sceaux, Théâtre de Saint-Quentin-en-Yvelines, Festival International de Cannes // Avec le soutien de Göteborg Dance et Theatre Festival (Suisse) // Avec la participation de France Culture
Le défilé de la Biennale de la danse
Exposition virtuelle
Le défilé de la Biennale de la danse
Exposition virtuelle
La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.
LATITUDES CONTEMPORAINES
Exposition virtuelle
LATITUDES CONTEMPORAINES
Exposition virtuelle
Latitudes Contemporaines, festival de la scène contemporaine internationale, se déroule tous les ans au mois de juin sur le territoire dense de la métropole lilloise et frontalier de la région Hauts-de-France.
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
Avec cette exposition virtuelle et à travers la démarche du tandem fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur dernière pièce : FACÉTIES.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Parcours
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Parcours
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Une traversée de l’histoire des Rencontres chorégraphiques internationales de Seine-Saint-Denis, depuis le Concours de Bagnolet jusqu’aujourd’hui.
La compagnie Vlovajobpru
Exposition virtuelle
La compagnie Vlovajobpru
Exposition virtuelle
Découvrez le travail de la compagnie Vlovajobpru à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
40 ans de rock et danse
Exposition virtuelle
40 ans de rock et danse
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus
> Chanson de l’Affaire Louis Trio (1987)
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
Amala Dianor : danser pour donner à voir
Exposition virtuelle
Amala Dianor : danser pour donner à voir
Exposition virtuelle
Découvrez le travail du chorégraphe Amala Dianor à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ?
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Les racines de la diversité en danse contemporaine
Exposition virtuelle
Les racines de la diversité en danse contemporaine
Exposition virtuelle
La danse contemporaine désigne des courants artistiques succédant à la danse moderne. Mais il est difficile de cerner précisément cette expression, tant elle inclus différentes pratiques et esthétiques. Aujourd’hui, le mot « contemporain » intègre des danses actuelles, urbaines, théâtrales, de différentes origines géographiques ou «culturelles». Une exposition virtuelle signée par la Compagnie James Carlès Danse &Co.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Parcours
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Parcours
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
(LA)HORDE : RÉSISTER ENSEMBLE
Exposition virtuelle
(LA)HORDE : RÉSISTER ENSEMBLE
Exposition virtuelle
Découvrez le collectif (LA)HORDE à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.