extract from 33min20 to 36min10

Composed by Iannis Xenakis, Pléiades was originally a commission from the City of Strasbourg in 1979 for the Percussions de Strasbourg and the Ballet du Rhin. Having now become a key reference in contemporary music, the work has been performed in concert all over the world, however losing its choreographic vocation along the way. Alban Richard wished to revive this original link with dance by creating a “music and dance concert” that brings together six dancers and six percussionists on stage.

Conceived as a danced concert, each musical section gives rise to a specific spatialisation of percussion on stage, reconfiguring the space of dancers and musicians towards a progressive fusion between music and dance.

Alban Richard discovered contemporary dance while he was pursuing literary and musical studies. From the late 1990s, he worked for various choreographers such as Odile Duboc, Olga de Soto and Rosalind Crisp.

In 2000, Alban Richard founded Ensemble l'Abrupt for which he created about thirty very different pieces, always in close interaction with a musical work whose writing and formal structure he questioned. Consequently, each creation opens up new research and a new performance style, setting itself apart from the previous one. The way he develops his shows, using restricted improvisations to devise the work directly on stage, encourages the performers to become creators of their own dance.

Alban Richard has collaborated with the Alla francesca ensemble, Les Talens Lyriques, Les Percussions de Strasbourg, the Ensemble intercontemporain, IRCAM and the Cairn, Instant Donné and Alternance ensembles, as well as with composers Arnaud Rebotini, Sebastian Rivas, Erwan Keravec, Jérôme Combier, Laurent Perrier, Raphaël Cendo, Robin Leduc, Paul Clift, Wen Liu and Matthew Barnson.

A prolific choreographer, Alban Richard is regularly invited by ballets and companies, both internationally (Canada, Lithuania, Norway) and in France, to create commissioned works.

Since 2015 he has been artistic director of the centre chorégraphique national de Caen en Normandie, with a project based on both his practice as an author and on connecting with the territory and its inhabitants.

More information : https://ccncn.eu/english/

Avec plus de 1 600 concerts dans le monde entier et 300 créations  depuis leur fondation en 1962, les Percussions de Strasbourg sont à  l’origine de tout un pan du répertoire contemporain pour percussion.  Faire vivre un patrimoine en le revisitant sans cesse, innover sans  relâche au rythme de l’évolution des nouvelles technologies et de  l’élargissement des pratiques et expressions scéniques : tels sont les  défis à relever pour inventer et explorer l’immensité du champ de la  percussion au XXIe siècle.

Sous l’impulsion de son nouveau directeur artistique Jean Geoffroy  (depuis 2015), l’ensemble continue à diversifier ses projets. Il  n’hésite pas à se mettre en scène avec de nouveaux artistes, créateurs,  interprètes ou circassiens, venus de différents horizons musicaux.
Les Percussions de Strasbourg entendent bien poursuivre cette aventure  unique et prolonger ainsi le pont entre le répertoire « historique » et  les nouveaux espaces artistiques. Des chemins de traverse qui restent à  découvrir, investir et partager.

www.percussionsdestrasbourg.com

Initiated to music and cinema by his two older brothers Nicolas Simon quickly becomes a cinephile and begins to direct short films as a teenager.

After a training in audiovisual professions at ESRA Bretagne, where he directed two short films in 16 millimeters, he met Emmanuelle Vo-Dinh in 2004 and discovered contemporary dance. In 2008, he directed « Making Rainbow », which traces the five months of creation of the first edition of the show "Rainbow" in Rennes.

He then co-directed «Le Grand Éléphant - l’Aventure des Constructeurs» an incursion of nearly two years in the premises of the association "The Machine" to follow with its builders the birth of the Grand Elephant Island of Nantes .

While continuing to work regularly with many choreographers like Alban Richard or Daniel Dobbels, he has since made several documentaries, commercials or video clips as well as three seasons of the series « La Tête de l’Emploi » for France 3.

A place for dance open to everyone, where people come to see, dance and talk.

The centre chorégraphique national de Caen en Normandie is a space of shared projects that questions the world in which we live, a receptive place where dance is at the heart of an artistic, political and civic-minded vision. It is a centre for the creation, hosting, production and dissemination of choreographic works, a hub that acts as a resource for training and research. It is a place shared with artists, residents, associations and cultural institutions, a place open to artistic creation and the contemporary repertoire.

Awakening curiosity, stimulating the desire for knowledge, opening up to differences, sharing real artistic, intellectual and human experiences – these are the new challenges identified by Alban Richard for the centre chorégraphique national de Caen en Normandie.

Associated artists 2019-2021: Marco da Silva Ferreira and Mette Edvardsen

Companion artists 2020: Herman Diephuis and Michel Schweizer

https://ccncn.eu/english
 

https://ccncn.eu/evenement/pleiades/