Skip to main content

In the 9th edition of the EIVV (Encontre Internacional de Videodansa i Videoperformance) or International Meeting of Videodance and Videoperformance, we have opted for a presentation in the form of an online programme (Théma-exhibition in four chapters), where everyone is free to discover the pieces in any order, and a Collection for EIVV 2022.

This year we have selected 25 screendance works from the 1223 submissions from all over the world. The quantity and quality of screendance production is impressive and vivacious. 

We include in this exhibition of "Dancing with the editing" works that use different post-production techniques to transform movement and create new realities.

Split-Screen

Shifting tools, Run, and .smooth explore how the split screen and the superposition of different moments on the same screen can build new movement and a new choreography.


Shifting Tools (01:00, Italy, dir. Francesca Santamaria, Mattia Cursi)

https://www.numeridanse.tv/videotheque-danse/shifting-tools

Run (05:00, UK, dir. Stuart Pound)

https://www.numeridanse.tv/videotheque-danse/run-version-vertical

.smooth (01:00, Germany, dir. Stephan Dorn)

https://www.numeridanse.tv/videotheque-danse/smooth

Stop-Motion

Stop-Motion is used in the other pieces, as a tool for classical animation in Desolate, as a way to study non-linear movement in Études, or as a way to make inanimate pictures get in the dance with Memento and Bookanima


Desolate (0:45, Sweden, dir. Gabriella Engdahl, Peter Lundhall Ortiz) 

https://www.numeridanse.tv/videotheque-danse/desolate 

Memento...Boltanski! (04:55, Germany, dir. Eri Kassnel) 

https://www.numeridanse.tv/videotheque-danse/mementoboltanski 

Études (08:27, Greece, dir. Evi Stamou, Pietro Radin)

https://www.numeridanse.tv/videotheque-danse/etudes

BOOKANIMA (05:08, US, dir. Shon Kim)

https://www.numeridanse.tv/videotheque-danse/bookanima-ballet

Transformed reality

Fugante Causal and In Memory Of use image transformation and the superposition to evoke the distortion of reality and perception. This expressive use of postproduction can only happen in screendance and form part of this specific audiovisual language.

Virtual reality

Choreo/cut/graphic, Toulele and Sylphides use different types of image synthesis to create new spaces and new dances. Song Lines goes to total abstraction making lines dance to the music.

Choreo/cut/graphic (08:54, Finland, dir. Mikko Kallinen)

https://www.numeridanse.tv/videotheque-danse/choreocutgraphic

Sylphides 3.1 (04:00, Brazil, dir. Diego Mac)

https://www.numeridanse.tv/videotheque-danse/sylphides-31

Avalanche Kaito - TOULELE (03:41, Belgium, dir. Simon Breeveld)

https://www.numeridanse.tv/videotheque-danse/avalanche-kaito-toulele

Song Lines (02:33, UK, dir. Stuart Pound)

https://www.numeridanse.tv/videotheque-danse/song-lines

crédits
Your opinion interests us
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more