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Born in Guinea in 1950, Mamady Keita, one of the three greatest malinké drummers, was a soloist for 22 years in the famous national ballet Djoliba, founded by Sékou Touré. Today he lives in Belgium. After 26 years’ absence, he returns to his village amidst general exultation, festivities and emotion. An extraordinary testimony of authenticity and intensity.
We are directly plunged into the heart of Africa, in Upper Guinea, the cradle of age-old traditions. Our “djembefola” (djembe drum player) knows most of the three hundred malinké rhythms and their meaning. He is one of the last to have been initiated by village practice, unlike the percussionists formed in ballets. Harry Belafonte was fascinated by the child (nicknamed “He who was born for that”), then aged 17, and recruited him for his film Africa Dance. Based on an idea by Pierre Marcault (a djembe specialist and a former percussionist for Jacques Higelin), this documentary was shot live on the spot. There is nothing artificial or exotic in this film in which each scene is spontaneous, including the crucial one where the djembe virtuoso is reunited with his family.
Webdoc
Webdoc
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Exposition virtuelle
Exposition virtuelle
La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Parcours
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Webdoc
Webdoc