Skip to main content
Back to search
  • Add to playlist

You walk ?

Biennale de la danse 2000 - Director : Picq, Charles

Choreographer(s) : Jones, Bill T. (United States)

Present in collection(s): Biennale de la danse , Biennale de la danse - 2000

Integral video available at Maison de la danse de Lyon

en fr

You walk ?

Biennale de la danse 2000 - Director : Picq, Charles

Choreographer(s) : Jones, Bill T. (United States)

Present in collection(s): Biennale de la danse , Biennale de la danse - 2000

Integral video available at Maison de la danse de Lyon

en fr

You walk ?

Jones, Bill T.

Bill T. Jones is an American dancer and choreographer, who has no taboos whatsoever. This performer, whose scenic presence thrills the audience, expresses violence, gentleness and emotion. His status as a black, homosexual dancer has influenced the social theme of these works, just like modern dance and the importance of improvisation have influenced the creative approach.
 

Brought up in a very modest African-American family, he studied theatre and dance at the University of Binghamton. A turning point in his life occurred there when he met the performer Arnie Zane who would become his companion and main partner. Together they founded the American Dance Asylum in 1973, before going on to become the Bill T. Jones / Arnie Zane Dance Company in 1982. Arnie Zane died from AIDS in 1988, Bill T. Jones, who is HIV-positive has continued the company ever since.
 

Bill T. Jones has created works for A. Ailey, the Boston Ballet, the Berlin Opera Ballet and the Lyon Opera Ballet for which he has been honoured with numerous awards. He has also worked on opera and theatre productions. Interested by the diversity of morphologies, he has made this one of his specialities. Black, athletic, sensual and technically highly-skilled, Bill T. Jones played on the differences between himself and Zane, who was small, white and who invented funny gestures and spiced the virtuosity of their duos with a certain kind of nonsense. Bill T. Jones addresses controversial subjects in his choreographical work, such as the status of African-Americans and homosexuality, and he even goes so far as to take a stand on different social issues. His dance, which is already narrative and has broken away from minimalism, is as such militant.


Sources : Panorama de la danse contemporaine, Rosita Boisseau (Ed. Textuel, Paris, 2006) ; New-York Live Arts 's website


More information : newyorklivearts.org 

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

Arnie Zane Dance Company

Artistic Direction: Bill T. Jones

Creation: 1982

The  Bill T. Jones/Arnie Zane Company was born in 1982 out of an 11-year  collaboration between Bill T. Jones and Arnie Zane (1948–1988). During  this time, they redefined the duet form and foreshadowed issues of  identity, form and social commentary that would change the face of  American dance. The Company has performed worldwide in over 200 cities  in 40 countries on every major continent and is recognized as one of the  most innovative and powerful forces in the dance-theater world.

The  repertory of the Bill T. Jones/Arnie Zane Company is widely varied in  its subject matter, visual imagery and stylistic approach to movement,  voice and stagecraft and includes musically-driven works as well as  works using a variety of texts. The Company has been acknowledged for  its intensely collaborative method of creation that has included artists  as diverse as Keith Haring, Cassandra Wilson, The Orion String Quartet  etc.

Source: New-York Live Arts

More information

newyorklivearts.org

You walk ?

Choreography : Bill T. Jones

Additionnal music : musique traditionnelle d'Afrique du Sud, médiévale espagnole, brésilienne, fado, opéra baroque, polyphonies d'Amazonie, blues

Video conception : Artiste multimédia : Paul Kaiser

Lights : Robert Wierzel

Costumes : Alberto Gelli pour La Perla

Settings : Bjorn G. Amel an

Production / Coproduction of the choreographic work : avec le soutien de : la Ville de Bologne, Capitale Culturelle Européenne 2000 coproduction : Hancher Auditorium/University of Iowa, Lincoln Center Festival, National Dance Project, National Endowment for the Arts, Sydney Olympie Arts Festival, Whitebird

Production / Coproduction of the video work : Maison de la Danse, Biennale de Lyon

Our videos suggestions
02:55

Céu Cinzento

Oliveira, Clébio (France)

  • Add to playlist
02:34

Pixel

Merzouki, Mourad (France)

  • Add to playlist
03:00

Era Povera

Apergi, Patricia (Greece)

  • Add to playlist
53:09

Augures

Huynh, Emmanuelle (France)

  • Add to playlist
30:33

Leïla "the night"

Lagraa, Abou (France)

  • Add to playlist
07:20

Amelia

Lock, Édouard (Canada)

  • Add to playlist
24:23

Triton (audiodescription)

  • Add to playlist
07:37

La la la Human Sex (duo n°1)

Lock, Édouard (Canada)

  • Add to playlist
13:33

Double room

  • Add to playlist
37:54

The Irresponsibility of Apollo

Bouvier, Joëlle (France)

  • Add to playlist
01:33:50

L'Effraction du silence

Bouvier, Joëlle (France)

  • Add to playlist
02:45

Suits for two pianos

Scholz, Uwe (France)

  • Add to playlist
03:48

Synchronicity

Carlson, Carolyn (France)

  • Add to playlist
03:00

Malher's Third Symphony

Neumeier, John (France)

  • Add to playlist
03:57

Messiah

Wainrot, Mauricio (Uruguay)

  • Add to playlist
03:00

Carmen

Inger, Johan (France)

  • Add to playlist
03:00

Cartes Blanches

Merzouki, Mourad (France)

  • Add to playlist
02:52

Tristan & Isolde, "salue pour moi le monde !"

Bouvier, Joëlle (Switzerland)

  • Add to playlist
02:55

Whack!!

Chen, Ashley (France)

  • Add to playlist
03:00

Gnawa

Duato, Nacho (France)

  • Add to playlist
Our themas suggestions

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

fr/en/

Genres and styles

Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

Ballet pushed to the edge

 Ballet’s evolution from its romantic form until néo-classicism.

Parcours

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.


Parcours

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/

New breath : 21st century youth enters the world of dance

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more