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Pixel
2015
Choreographer(s) : Merzouki, Mourad (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Pixel
2015
Choreographer(s) : Merzouki, Mourad (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Pixel
Merzouki, Mourad
A major figure on the hip-hop scene since the early 1990s, Merzouki works at the crossroads of many different disciplines: he adds circus, martial arts, fine arts, video and live music to his exploration of hip-hop dance. Without losing sight of the roots of hip-hop movement – of its social and geographical origins – this multidisciplinary approach opens new horizons and reveals original outlooks. Since 1996, 30 creations have been performed in 700 cities and 65 countries, with more than 3,000 performances given for 1.7 million people. Since 2009, Merzouki is director of the Centre chorégraphique national de Créteil et du Val-de-Marne, where he created the festival Kalypso, a Parisian twin of his festival Karavel in the region of Lyon. In 2016, he is also appointed artistic director of Pôle en Scènes in Bron.
More information : http://ccncreteil.com/
Mondot, Adrien
The Adrien M/ Claire B Company creates many forms of art, from stage performances to exhibitions combining digital arts with live performing arts. The company is co-directed by Claire Bardainne and Adrien Mondot. They place the human body at the heart of technological stakes, with the specificity of developing and customizing their own IT tools. The company operates as a research and creativity workshop, looking for a live digital world: mobile, organic, ephemeral, random, sensory.
More info : www.am-cb.net
Bardainne, Claire
The Adrien M/ Claire B Company creates many forms of art, from stage performances to exhibitions combining digital arts with live performing arts. The company is co-directed by Claire Bardainne and Adrien Mondot. They place the human body at the heart of technological stakes, with the specificity of developing and customizing their own IT tools. The company operates as a research and creativity workshop, looking for a live digital world: mobile, organic, ephemeral, random, sensory.
More info : www.am-cb.net
Adrien M & Claire B
The company Adrien M & Claire B places its work in the field of digital arts since 2004. Its creations are performances and exhibitions, that associate reality and virtuality. Its specificity is the custom-made development of its computing tools. Among the artistic and technological stakes, the attention is focused on the human being and its body, by using contemporary tools in the service of a timeless poetry, developing and using a visual language based on game and pleasure as mediums of the imagination.
Source : Adrien M & Claire B
More information : www.am-cb.net
Pixel
Artistic direction / Conception : Mourad Merzouki, Adrien Mondot & Claire Bardainne
Choreography : Mourad Merzouki
Choreography assistance : Marjorie Hannoteaux
Interpretation : Rémi Autechaud dit RMS, Kader Belmoktar, Marc Brillant, Élodie Chan, Aurélien Chareyron, Yvener Guillaume, Amélie Jousseaume, Ludovic Lacroix, Xuan Le, Steven Valade, Médésséganvi Yetongnon dit Swing
Set design : Benjamin Lebreton
Original music : Armand Amar, Sarah Nemtanu (violon), Julien Carton (piano), Nuria Rovira Salat (voix)
Additionnal music : Anne-Sophie Versnaeyen (alto), "Les Plocks", Artback Society Stéphane Lavallée et Julien Delaune (porgrammation batteries)
Video conception : Adrien Mondot & Claire Bardainne, Guillaume Blanc (régie)
Lights : Yoann Tivoli, assisté de Nicolas Faucheux, Stéphane Loirat (régie)
Costumes : Pascale Robin, assistée de Marie Grammatico
Settings : Camille Courier de Mèré et Benjamin Lebreton
Sound : Vincent Joinville, Martin Fouilleul, Alexis Lazar (régie)
Other collaborations : Le Centre Chorégraphique National de Créteil et du Val-de-Marne / Compagnie Käfig – direction Mourad Merzouki est subventionné par la Direction Régionale des Affaires Culturelles d’Île-de-France - Ministère de la Culture et de la Communication, le Conseil Général du Val-de-Marne et la Ville de Créteil
Production / Coproduction of the choreographic work : Centre Chorégraphique National de Créteil et du Val-de-Marne / Compagnie Käfig Coproduction Maison des Arts de Créteil, Espace Albert Camus - Bron Avec le soutien de la Compagnie Adrien M / Claire B
Amala Dianor : danser pour donner à voir
Exposition virtuelle
Amala Dianor : danser pour donner à voir
Exposition virtuelle
Découvrez le travail du chorégraphe Amala Dianor à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
States of the body
Parcours
States of the body
Parcours
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
When reality breaks in
Parcours
When reality breaks in
Parcours
Dance in Quebec: Untamed Bodies
Parcours
Dance in Quebec: Untamed Bodies
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
Arts of motion
Parcours
Arts of motion
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Ballet pushed to the edge
Parcours
Ballet pushed to the edge
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Scenic space
Parcours
Scenic space
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Genres and styles
Parcours
Genres and styles
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.