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Secure data storage
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Discover the world of dance via webdocs, parcours and virtual exhibitions. Our contents are divided into categories so you can easily choose between great artistic movements, society topics, artist portraits, institution portraits, etc.
Thematics
Danse and other arts
(15)
Historical approach of dance
(14)
Tradition and heritage
(15)
Engaged dances
(8)
Dance styles and practices
(14)
The spaces of the dance
(6)
Portraits of artists
(9)
Portraits of structures
(10)
Choreographic creations around the world
(12)
Reception and understanding of a work
(7)
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Course
Roux, Céline
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Course
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The CEDEZ LE PASSAGE dance documentaries seek to make visible attempts by the body to appropriate a space that seems a priori impossible for dance: anti-homeless street furniture.
Several dancer-choreographers go in duet to meet these dissuasive urban furniture. They question these inhospitable architectures with their bodies and their voices.
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Contemporary dance refers to artistic currents succeeding modern dance. However, it is difficult to precisely define this expression, as it includes different practices and aesthetics. Today, the word "contemporary" integrates urban or theatrical dances of different geographical or "cultural" origins. To understand and
The Dance Biennial is a major event held in Lyon every even-numbered year. Read on and discover the history of this adventure and the timeline of past editions.
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
<p>Since it was founded in 1984, the BNP Paribas Foundation has stood out for its long-standing backing of projects in a series of areas, including culture. In 1986, it committed to theatrical art to promote new works and lend its support to artists. Discover the different kinds of support provided by the Foundation.</p>
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Course
Roux, Céline
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Course
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Created in Lyon in 1980, Maison de la Danse was the first-ever venue in Europe dedicated exclusively to dance. Welcoming over 150,000 spectators each season and some 200 performances, today the Maison de la Danse draws a large public keen on highly-unifying performances as well as on innovating and research-based works. The Maison de la Danse, a performance venue but also a
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Course
Roux, Céline
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Course
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
A myriad of methods have been invented for analysing dance and putting it into perspective and for accompanying the ‘tool’ that is essential to its memory, the dancer’s body. This webdoc presents the challenges of movement notation.
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective.
A myriad of videos, photos, illustrations and additional resources complement this interview.
Dominique Bagouet created more than 45 shows over 15 years, some of which truly left a mark on contemporary dance from 1980 to 1992, the year of his passing. This Exhibition highlights the most emblematic of his work and screens several films about the transmission of Bagouet's oeuvre through the work conducted by the association Les Carnets Bagouet. The association was crea
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures...
There are a myriad of reasons for dancing and a myriad of points of view.
A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Course
Roux, Céline
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Course
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
In Poland, the culture of traditional dances has been well maintained : they are still transmitted today. This parcours able a visit between those different dances.
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