Suits for two pianos
2018 - Director : Plasson, Fabien
Choreographer(s) : Scholz, Uwe (Germany)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Suits for two pianos
2018 - Director : Plasson, Fabien
Choreographer(s) : Scholz, Uwe (Germany)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Suite pour deux pianos
Rich of a repertoire of works created for her or transmitted by the greatest personalities of dance world, this young and brilliant company shows in its various programs an impressive technical quality at the service of a real artistic sensibility. In Suite for Two Pianos, Uwe Scholz, a leading German choreographer, has created movements inspired by four paintings by Vassily Kandinsky and the music of Sergei Rachmaninov.
Source: Maison de la Danse
Scholz, Uwe
Uwe Scholz was born on December 31, 1958 in Seeheim-Jugenheim, Hesse, Germany. He died on November 21, 2004 in Berlin, Germany.
During his short life, this former wunderkind created over 100 ballets, including major stage successes such as Die Schöpfung, Die Grosse Messe and Bruckner 8. Scholz was regarded as a sensitive, highly musical artist with a fine sense of humor, but again and again, he was plagued by an excruciating perfectionism, self-doubts, and fears. At times, they made work impossible for him.
“Sometimes the great artist’s path does not lead to laurel-wreathed solitude, but to deep despair,” writes the ballet critic Klaus Geitel looking back on Scholz’s life. The film Soulscapes is a highly personal, moving portrait of Uwe Scholz, who died on November 21, 2004, at the age of 45. In one of his last interviews with the director Günter Atteln, Scholz talks about himself and his work with an unprecedented openness. “I’m drawn to symphonic music from the Classical and Romantic periods. I simply need these soulscapes.” Uwe Scholz
Source : Cennarium
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
São Paulo Dance Company
Artistic direction: Inês Bogéa
Creation: 2008
Created in January 2008 by the Government of the State of São Paulo, São Paulo Companhia de Dança (SPCD) is direct by Inês Bogéa, Ph.D. in Arts, dancer, documentary filmmaker and writer. The Company has a varied repertoire, ranging from classical to contemporary. Recognized by specialized critics as one of the main dance companies of Latin America, since its creation, the Company has produced 49 choreographies: 27 creations and 22 restagings.
SPCD searches for a connection with the audience by curiosity and perception of the dance world in motion. The programs shows the variety of the repertoire of SPCD and the dynamics of Brazilian dancers. They have passion and on stage show the energy and joy of being there. The dancers are versatile and able to move between from the classical to the contemporary dance with a particular accent.
Source: The São Paulo Dance Company 's website
More information : spcd.com.br
Suite pour deux pianos
Choreography : Uwe Scholz, Giovanni Di Palma
Additionnal music : Sergueï Rachmaninov
Lights : André Boll
Costumes : KM 36 Confecções, Cris Driscoll
Production / Coproduction of the choreographic work : São Paulo Dance Company, Associação Pró-Dança - São Paulo, Secretaria da Cultura / Governo do Estado de São Paulo. Peekaboo Coproduction Movimientos Festival - Wolfsburg.
Production / Coproduction of the video work : Maison de la Danse
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Une traversée de l’histoire des Rencontres chorégraphiques internationales de Seine-Saint-Denis, depuis le Concours de Bagnolet jusqu’aujourd’hui.
LATITUDES CONTEMPORAINES
Exposition virtuelle
LATITUDES CONTEMPORAINES
Exposition virtuelle
Latitudes Contemporaines, festival de la scène contemporaine internationale, se déroule tous les ans au mois de juin sur le territoire dense de la métropole lilloise et frontalier de la région Hauts-de-France.
La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
Avec cette exposition virtuelle et à travers la démarche du tandem fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur dernière pièce : FACÉTIES.
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ?
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
Outdoor dances
Parcours
Outdoor dances
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Contemporary Italian Dance : the 2000s
Parcours
Contemporary Italian Dance : the 2000s
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
States of the body
Parcours
States of the body
Parcours
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
When reality breaks in
Parcours
When reality breaks in
Parcours
Dance in Quebec: Untamed Bodies
Parcours
Dance in Quebec: Untamed Bodies
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Comment raconter la vie et l’œuvre d'une femme qui a marqué la danse et les danseurs dans tant de villes, à tant d'époques et de tant de façon différentes ? Une exposition en quatre chapitres qui retraverse l'histoire de cette femme-artiste.