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2018 - Director : Plasson, Fabien
Choreographer(s) : Marin, Maguy (France)
Present in collection(s): Biennale de la danse , Biennale de la danse - 2018
Integral video available at Maison de la danse de Lyon
2018 - Director : Plasson, Fabien
Choreographer(s) : Marin, Maguy (France)
Present in collection(s): Biennale de la danse , Biennale de la danse - 2018
Integral video available at Maison de la danse de Lyon
With Ligne de Crête, the choreographer takes up a question from the economist and philosopher Frédéric Lordon asked at a conference entitled Beyond Capitalism: "Where is the desire of people? "
Smothered in the knot of the torments of our time (social violence, outbursts of merchant desire, opaque economic and political structures, blatant injustices, withdrawal and "pampered bodies"), this simple question invites deep reflection on what, for each one is of vital interest, shielding our collective desires for social transformation. Standing up, step by step, and walking along a ridge between two dangerous slopes, the violence of institutional dysfunctions and the violence of men's passions, that is the effort to be made to re-establish a regime of desire other than the one that patiently established capitalism. A process of liberation.
Source: Theatre online
More information: https://ramdamcda.org
Born in Toulouse, dancer and choreographer Maguy Marin studied classical ballet at the Toulouse dance academy. She then joined the Strasbourg Dance Company and later Mudra, Maurice Béjart’s multi-disciplinary school in Brussels. In 1978, with Daniel Ambash, she founded the Ballet-Théâtre de l’Arche, which was to become the Compagnie Maguy Marin in 1984. The Centre Chorégraphique National de Créteil et du Val-de-Marne followed in 1985: its unremitting artistic work spread worldwide.
In 1987, Marin’s encounter with musician-composer Denis Mariotte was the starting point of a decisive partnership, which broadened the scope of experimentation.
Then in 1998, a new place to settle in, for a new Centre Chorégraphique National, in Rillieux-la-Pape: a place as a we in time and space to strengthen one’s ability to foster those diagonal forces resisting oblivion (H. Arendt).
The year 2011 saw a remodelling of the framework in which the company’s reflection and achievements unfold. After the intensity of the Rillieux-la-Pape years, there emerged a need for a new phase in Toulouse from 2012.
In January, 2015, Maguy Marin and the company find the region of Lyon. An installation to ramdam to Sainte-Foy-lès-Lyon, who engages the deployment of a new ambitious project: RAMDAM, un centre d’art.
Source : Compagnie Maguy Marin
More information : compagnie-maguy-marin.fr
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Artistic direction / Conception : Maguy Marin
Interpretation : Ulises Alvarez, Françoise Leick, Louise Mariotte, Cathy Polo, Ennio Sammarco, Marcelo Sepulveda
Lights : Alexandre Béneteaud
Costumes : Nelly Geyres
Settings : (dispositif scénique) Albin Chavignon, Balyam Ballabeni, Charlie Aubry
Sound : Charlie Aubry
Production / Coproduction of the choreographic work : Coproductions Biennale de la Danse de Lyon, Théâtre de la Ville - Paris, Théâtre Gérard Philipe - Centre dramatique national de Saint-Denis, La Briqueterie-CDCN du Val-de-Marne, Ville de Fontenay-sous-Bois, théâtre Garonne, scène européenne – Toulouse, ThéâtredelaCité - CDN Toulouse Occitanie, La Place de la Danse - CDCN Toulouse - Occitanie, Compagnie Maguy Marin, avec le soutien du Conseil Départemental du Val de Marne pour l’aide à la création
Production / Coproduction of the video work : Biennale de la danse, Fabien Plasson 2018
Webdoc
Webdoc
Webdoc
Webdoc
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Exposition virtuelle
Exposition virtuelle
La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Depuis sa création en 1984, la Fondation BNP Paribas soutient les arts de la scène. Attentive à la qualité de son engagement auprès de ses partenaires, elle veille à accompagner leurs projets dans la durée. Découvrez les engagements de la Fondation.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Parcours
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.