Your playlists
The video has been added successfully.
The video is already in this playlist.
Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.
For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.
Exclusively for artists/companies, directors.
Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.
+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)
Promote your video collection
Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.
Retain ownership of your work
Video content is only available through streaming and is not downloadable As a contributor, only you have the tools to export and share your public and private content.
Guaranteed access to an exclusive video collection
Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.
2015
Choreographer(s) : Tchouda, Bouba Landrille (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Cie Malka
2015
Choreographer(s) : Tchouda, Bouba Landrille (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Cie Malka
A queue composed of solitary, neurotic, ghostly bodies. Bouba Landrille Tchouda offers a reflection on the complexity and difficulty of human relationships. Those who once they're not home are "in war mode", bubbling, under tension. Each represents a "potential danger" for others. He observes, shared between empathy and irony laughter, the quest for individual identity and its various manifestations, from the innate need for seduction to the exacerbated competitiveness, through the necessary exposure and the risks it induces.
Source: Malka Company
As with many hip-hop dancers, his learning begins in a self-taught way. In 1995, he decided to found the company Aca in Saint-Martin-d'Hères, with Habib Adel, dancer of the same generation. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse in Paris, allows them to become a reference company in hip hop dance in the Rhône-Alpes region.
Influenced by urban and world culture, this artist enjoys many kinds of dance, including hip hop, capoeira and contemporary dance. For him, every genre of dance is a new world to tackle, to move in, to sweat in, to turn upside down, to help everyone find their humanity, to question the meaning of their future, their desires.
Like many hip-hop dancers, he was initially self-taught, but gradually began to explore other disciplines like capoeira and contemporary dance.
In 1995, he decided to found the dance company ACA in Saint-Martin-d'Hères, with one of his contemporaries, Habib Adel. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse (Danse Ville Danse Encounters) in Paris, made their name as the urban dance company to be reckoned with in the Rhône-Alpes region.
It was during this time that Bouba met the choreographer Jean-Claude Gallotta, director of the CCN in Grenoble (National Choreography Centre). This meeting resulted in a duet called SMH. Choreographed by Jean-Claude Gallotta, this duet forms an integral part of the piece La rue (“The street”), presented by the Emile Dubois group in January 1997 at Suresnes.
His national and international tours – with Aca and Accrorap – have allowed Bouba to establish his reputation as a choreographer both in France and abroad.
In 2001, with Eric Mézino, he founded the Malka Company whose first show was Paroles de sable, paroles de vent (“Words of sand, words of wind”).
Source : Malka Company 's website
More information : ciemalka.com
Choreography : Bouba Landrille Tchouda
Interpretation : Sophie Carlin, Mélisa Nöel, Cédric Guéret, Tom Guichard, Bruno Lafourcade, Nathanaël Lecoeur
Artistic consultancy / Dramaturgy : Guy Boley
Additionnal music : Gilles Sornette, The kronos quartet, Laurent Perrier, Murcof, Aleph-1, Alexander malter son Éric Jury
Lights : Fabrice Crouzet
Costumes : Claude Murgia
Sound : Éric Jury
Production / Coproduction of the choreographic work : château rouge- Annemasse / Centre Chorégraphique National de Créteil et du val-de-marne / Compagnie käfig dans le cadre de l’accueil studio / Centre Chorégraphique National - Ballet de Lorraine dans le cadre de l’accueil studio
Webdoc
Webdoc
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
Exposition virtuelle
Exposition virtuelle
La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.