Created for the workshop of Brazilian choreographers of the São Paulo Dance Company, Céu Cinzento de Clébio Oliveira, addressing the theme of impossible love and becoming a promising talent.
Inspired by the myth of Romeo and Juliet, the choreographer works on a single duet, imagining that the two lovers, instead of dying, become blind. The Duo of a fortnight is one with one - one looks at oneself, one looks for oneself, one finds oneself, one separates oneself.

Source: Maison de la Danse de Lyon ; Danse avec la plume 

Clébio Oliveira is a dancer, choreographer and professor of Brazilian contemporary dance.
 In 2006, Jornal do Brasil, one of the most important newspapers in Rio de Janeiro, awarded her the title of "Best choreographer in 2006" with the work "All We Keep Waiting For ...". Since starting to develop his choreographic work, Clébio has won more than fifteen awards as best choreographer and dancer in various festivals in Brazil.
 Invited by the Ballet Theater Kiel (Germany), Clébio directed in January 2009 "Something is ending, something is beginning". T
In his choreographic language, Clébio offers a dialogue between traditional Brazilian culture and elements of contemporary dance, which allows him to present something unique, sophisticated and aesthetically diverse. He also explores the complexity and potentiality of the body, alternating strength, investigation, poetry and sensitivity. This diversification generates a particular aesthetic, mixing dance techniques, theater and popular culture.
 He also danced for four years for the dance company Deborah Colker and three years for the company Toulas Limnaios. With these companies, he has danced in the most important festivals and tours of Europe, Asia and South America.
 Clébio lives in Berlin and has been working in Germany since 2008. He still works part-time in Brazil.

Source : Vimeo

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Artistic direction: Inês Bogéa

Creation: 2008

Created in January 2008 by the Government of the State of Sao  Paulo, The São Paulo Dance Company (SPDC) is directed by Inês Bogéa,  doctor of arts, ballet-dancer, documentary maker and writer.

Throughout this period, the Company has been seen by an audience of  more than 1.000,000 people in different countries (Argentina, Austria,  Belgium, Canada, Chile, Colombia, France, Germany, Holland, Israel,  Italy, Luxembourg, Paraguay, Switzerland, the United States of America,  Uruguay, Mexico, the United Arab Emirates), experiencing approximately  150 cities, totaling more than 1,100 performances. The Company has a  varied repertoire, ranging from classical to contemporary. Recognized by  specialized critics as one of the main dance companies of Latin  America, since its creation, the Company has produced more than 80  choreographies, including commissioned new works  of important names of international dance like Edouard Lock, Richard  Siegal and Marco Goecke, and Brazilian choreographers, as Rodrigo  Pederneiras, Henrique Rodovalho e Jomar Mesquita; and restages of works from Jirí Kylián, William Forsythe, George Balanchine, Nijinska, Nacho Duato among others.

SPDC searches for a connection with the audience by curiosity and  perception of the dance world in motion. The programs show the variety  of the repertoire of SPDC and the dynamics of Brazilian dancers. The  dancers are versatile and able to move from classical to contemporary  dance with a particular accent. The Company is a meeting place of  distinct artists – such as choreographers, light designers,  photographers, guest lecturers, restagers, writers, artists,  cartoonists, musicians, costume designers and others.

The Educational and Audience Awareness Programs, another strand of  action of SPDC, are divided into: Lecture For Educators, in which we  have the opportunity to dialogue about the backstage of this art; Dance  Workshops, a meeting to experience the daily life of the dancers; Open  Performances for Students and Senior Citizens, in which the proposal is  to see, hear and perceive the dance world; Programs focus on social  institutions and organizations aimed to take the dance culture to  different audiences and spaces; Dança em Rede (Dance Network), an online  dance encyclopedia on the Company’s website and a series of 39  documentaries about the History of Dance in Brazil.

Source: The São Paulo Dance Company 's website

More information : spcd.com.br