Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.
For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.
offers
PRO Offer
Exclusively for artists/companies, directors.
options:
Virtual exhibition tool
Independent management and promotion of your work
Unlimited number of contributor account administrators
Guest account creation
No advertising on the site or videos
Site available in French and English
HTML5 player ready
Unlimited bandwidth
Shareable private links
Unlimited uploads
Secure data storage
+ Technical support
offers
PRO Offer +
Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.
options:
Virtual exhibition tool
Independent management and promotion of your work
Unlimited number of contributor account administrators
Guest account creation
No advertising on the site or videos
Site available in French and English
HTML5 player ready
Unlimited bandwidth
Shareable private links
Unlimited uploads
Secure data storage
+ Technical support
+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)
advantages
Promote your video collection
Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse. Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.
advantages
Retain ownership of your work
Video content is only available through streaming and is not downloadable As a contributor, only you have the tools to export and share your public and private content.
advantages
Guaranteed access to an exclusive video collection
Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.
advantages
Share your account
You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.
"Couldn't dance be, via its combined approach with digital technology, one possible way to attempt reembodying a disembodied body, disembodied by these technologies which have become today so intrusive and ubiquitous" ?
Performances (full evening long pieces and short pieces), informal and participative performances, and installations mixing contemporary dance and digital interactive arts. A dialectic confrontation between the physical body (lived, experienced) and the visual body (seen, virtual).
Stage performances
Immersive performances where technology is dedicated to the amplification of our senses and to our augmented perception.
Myselves
A human being – Her multiple selves – A digital creature
Myselves, an interactive choreographic performance stages a dialog between a dancer and her multiple selves, embodied in an autonomous and unpredictable visual and aural creature, which emanates from her psyche as interpreted by optical and body sensors.
Co conceived with digital artist Antoine Schmitt and dancer Marianne Masson.
A key venue, a date: International Festival of Video Art, FIAV, Casablanca, Morocco, April 2019
A performance combining contemporary dance and interactive digital media based on a contemporary rewriting of The House of Asterion by Jorge Luis Borges (inspired by the myth of the Minotaur). The performance can be seen from inside or outside.
In close collaboration with 1minute69, Interactive audiovisual illusion : Aurélie Dumaret & Emilie Villemagne, digital artists.
Created with and danced by Marianne Masson & Mario Garcia Sáez.
A key venue, a date: Hiroshima Theater, Fenomens Festival, Barcelona, October 2015
Participative performances
Participative performances whereby technology itself is directly questionned. Its use offers then a reflexion on the mass media esthetics and how much audiences are aware of their responsibilities when confronted with a collective artwork.
Outdoor version presented in the context of the Tomorrow Stories (Storygraphes) Festival, Bellegarde Cultural Center, Toulouse, France .
See other versions on https://vimeo.com/359647099: in the context of the 50th anniversary of the first landing on the moon – Apollo Day, City of space, Toulouse, France
Participative performance via smartphones.
Playful confrontation between the Judo-Christian values anchored in our culture and the new values of our individualistic society that legitimizes narcissism and the cultivation of the self.
Audiences carry in their hands a technical responsibility: via their smartphones, and a specially designed program, they get involved in the action taking place on stage.
Choreography: Anne Holst & Jean-Marc Matos
Digital scenography, design of the participative set: Arnaud Courcelle
Installation with live performance mixing « dance and artificial intelligence » co conception and creation by Jean-Marc Matos (choreographer) Clément Barbisan (programmer), Thomas Guillemet (artist designer), with Pauline Lavergne (dancer-performer).
“The body as the limit of coding”. An interactive life-size installation where a numerical system tracks and analyses the minutest gestures of the body. By bypassing the computer code through the invention of unconventional movement qualities, visitors can bring the system to “crash”. The machine then calculates and collects the participants’ movements in the form of a score of gestural “errors” visible in the installation as a mirror interpretation.
Dedicated portfolio: https://www.k-danse.net/en/portfolio/bodyfail
A key venue, a date: Entretiens de Royaumont, The Sorbonne Abu Dhabi, United Arab Emirates and the French Institute, September 2018
An immersive theatrical process, both physical and digital. An utopian space for exchange.
Both an Interactive, immersive installation and a choreographic performance, with audience participation. A unique environment as a shared experience between choreography, sensitive bodies and a community of audience members.
Choreography/staging / concept: Anne Holst & Jean-Marc Matos
A key venue, a date: Quai des Savoirs, Toulouse, for Metabody_Toulouse, in the context of the European Night of Researchers, September 2016
Repertory
Projects which question the relationships between bodies and technology, relational human worlds, the growth of the individual, freedom inside constraining environments, man-woman relationships.
Tactile Sensations, Gameplay, Echo Room, Para_site, Lovely User
An interactive dance performance for two dancers, with augmented tactility.
Project in collaboration with duo Scenocosme (Grégory Lasserre and Anaïs met den Ancxt)
Created with and danced by: Aude Miyagi, Julien Lecuziat
Tactile Sensations is a dance performance that investigates the meaning and intimacy of touch and its social construction: the connection to memory and human attachment, emotion, desire, rejection.
How and why do people touch each other? How is touch initiated between people? What is the meaning of touch?
The overall theme is enhanced by the interactive experience of producing and altering the sound and lights via the digital treatment of data coming from the contact between two bodies.
A key venue, a date: Les Bains Numériques #7 Festival – Enghien Les Bains, June 2012
Gameplay transposes the language and technology of video games to a choreographic environment where the dancer is confronted with challenges paralleling the notion of the physical test present in many rites of passage. A performance in which a dancer is confronted with a visual and sonic semi-autonomous environment sensitive to her/his presence.
A key venue, a date: DID Festival, Milano, Italy, February 2009
Echo Room
Un couple et la perception augmentée de leurs états corporels
Echo Room questions the domination of the other and the structure of relationships between men and women. The choreography draws on the dialectics of the body which is inherited and socially constructed on the one hand, and lived and free to make choices on the other.
The uncontrollable is juxtaposed with the controlled and imposes itself like an echo of the past.
As technologies develop, the individual senses a growing agency, an increasing power over the world. But as the human interlocutor is replaced by technology, the exerting power becomes displaced and intangible. As the power of the individual in virtual space increases, the power of the body in physical space is reduced by a strategic partitioning of time, space and movement.
The western metaphor of light as objectivity and truth posits light/sight as right and good; darkness as bad. The images that surround us often promulgate this idea. Para_site investigates these notions – power, discipline, and the docile body.
In collaboration with programmer Ivan Chabanaud, composer Roland Cahen and dancer Yuko Yamada.
A key venue, a date: IDN Festival, Caixa Forum, Barcelona, Spain, March 2007
Dance-theater-video-interactive performance, with actors-dancers Melina Faka and Claudio Stellato.
Co-conceived with visual artist David Coste
On the question of power and the blurring of boundaries between fiction and reality.
Two dancers, reactive technology, visual arts collaboration.
A key venue, a date: Monik Festival, Odyssud, Blagnac, France, April 2005
K. Danse produces other projects combining contemporary dance and digital arts : - « On line » telematic pieces connecting via internet distant cities and countries - Installations using Virtual Reality
See projects Danse e-Toile (shared choreography broadcasted simultaneously in France and India) and RCO Remixed, interactive experience in VR (2019-2020)
Danse e-Toile
Nataraja and the Cosmos: telematic choreography between France and India
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing. You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.I acceptLearn more