Transfiguration
Transfiguration
Transfiguration
"The human face has not yet found its face and it is up to the painter to give it ..." Antonin Artaud
Transfiguration's performance is the story of the sculptor's never satisfied desire to give life to his creation. "In a gesture of despair, I immerse myself in clay with my own body, to give life to the work. I sculpt on my head strange masks moving according to my feelings, erasing my identity and becoming a living work of art, between puppet and puppeteer. This blind work forces me to look inside myself in order to reveal the different identities that possess me. Over-modeling, piercing, erasing are required with increasingly thick layers of clay, producing a sort of transition from the "Holy Face" to the "Meat Head". It is a ritual where the hands dance on the face faster than the thought and bring out intimate and deep perceptions. This solo work can evolve in two, the objective remains the same, but something of our relationship to the other then also is as trans-figured. I am flabbergasted to see how normal people think it is to be alive. My whole goal is to account for the very strangeness of being there. The disfigurement in art is for me a means, by the very power of the images that can appear, to reach this awareness ”
First presented in 1998 at Galerie Marie Vitoux (Paris). In 2020, more than 300 performances took place in 25 different countries.
« Sagazan’s transfiguration, has to be one of the most original, incredible things you’re likely to see. » THE GUARDIAN
Source: Olivier de Sagazan
More information: olivierdesagazan.com
de Sagazan, Olivier
Olivier de Sagazan was born in Congo in 1959. He studied biology. Teaches for two years then embarks on painting. Work then on the third dimension: sculpture, then finally performance. For the past thirty years these three mediums have been constantly nourishing each other, living arts taking an increasingly important place. He is invited to collaborate with many artists from cinema, fashion or music: Ron Frick for the film Samsara, Bartosz Konopka, Qiu Yang, Gareth Pugh, Nick Knight, FKA Twigs, Mylène Farmer...
In 2020, he created a work with 6 performers: "Ainsi sois moi", then collaborated with Wim Vandekeybus for a creation: "Hands do not touch my precious Me".
Source: Olivier de Sagazan
More information: olivierdesagazan.com
Transfiguration
Artistic direction / Conception : Olivier de Sagazan
Interpretation : Olivier de Sagazan
Duration : 50'
LE BALLET DE LA NUIT
Exposition virtuelle
LE BALLET DE LA NUIT
Exposition virtuelle
Film collectif composé de 13 segments d'une heure, basé sur Le Ballet Royal de la Nuit de 1653. Des artistes de vidéo-danse en provenance de divers pays ont relevé le défi du Centre de Vidéo Danse de Bourgogne de réaliser chacun un film venant illustrer une heure de la nuit, en s'appuyant sur des oeuvres musicales électroacoustiques composées exclusivement pour le projet.
Danse et arts numériques
Exposition virtuelle
Danse et arts numériques
Exposition virtuelle
Créations de spectacles, performances participatives et installations mêlant danse contemporaine et arts numériques interactifs. Une constante dialectique entre le corps vivant (vécu) et le corps visuel (donné à voir ou virtuel). Une exposition proposée par Jean-Marc Matos, chorégraphe de la compagnie K. Danse.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Nouveau souffle : La jeunesse du XXIème siècle entre dans la danse
Exposition virtuelle
Nouveau souffle : La jeunesse du XXIème siècle entre dans la danse
Exposition virtuelle
Qui sont ces artistes d'aujourd'hui qui créent en collectif, qui pensent la société et la transposent sur scène, qui redessinent les frontières du spectacle vivant et invitent les jeunes à entrer dans la danse ? Nous proposons une réponse dans cette exposition en réalisant un tour d'horizon des artistes présents pour la Biennale de la danse 2021.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Outdoor dances
Parcours
Outdoor dances
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
When reality breaks in
Parcours
When reality breaks in
Parcours
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Dance and visual arts
Parcours
Dance and visual arts
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Butoh
Parcours
Butoh
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.