As the first opus in the – BLUE RED WHITE – trilogy, Sorrow Swag « anatomy of melancholy », looks into issues of race, self-representation, gender, paternity and grief. This piece by American choreographer, Ligia Lewis, is one of heart-felt emotion : set to the electro rhythms of live music by George Lewis Jr. (from Twin Shadow), a body appears, fades, and then reappears shrouded in a dense blanket of blueish fog. The blueish hues take us back to Beckett’s Not I, or Anouilh’s rendition of Antigone. These are sources of inspiration for Ligia Lewis are the means by which she summons up the blues, this feeling of shared sadness, and melancholy which is so violently rejected in our happiness-obsessed societies. In this performance, the blues sculpts the dancer’s body into a state of perpetual movement, bringing to the surface a choreographic language of a troubling, intoxicating kind.

Through this process of total immersion in visuals and sound, the choreographer sets up interplay between language, text, affect and movement.

The piece centers on gender and race-inspired melancholy, two sources of contemporary, insurmountable grief and soul-searching. Oscillating between the intimate and the collective, politics and aesthetics, Sorrow Swag conjures up, through dance, the spoken word and exclamation, a very real, hypnotic « anatomy of melancholy ». This frightening piece envelopes us in dream-like fashion, lost in the midst of different layers of sadness. And joy, which it could give rise to - it if only if it was allowed, at times, to emerge.

Upadting: June 2016

Ligia Lewis originates from the Dominican Republic and lives in Berlin and Los Angeles. She has worked with Ballets C de la B, and the Superamas collective, as well as choreographers Eszter Salamon, Mette Ingvartsen and Jeremy Wade. Since 2005, she has been using a blend of theatre, dance and text in the creation of her own work. Her award-winning pieces have been performed extensively in Europe and the USA. Sorrow Swag won the Jardin d’Europe prize at ImPulsTanz 2015 in Vienna.

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).