Skip to main content
Back to search
  • Add to playlist

Sur le Pont

In 2010, la Compagnie La Baraka commands Laurent Aït Benalla the realization of a short movie, turned in Algiers, on the preparation of Nya, Abou Lagraa: it looks On the Bridge (9 '). He intends to prolong this meeting with young Algerian contemporary dancers and la compagnie La Baraka by a movie, for the television or the cinema, which redraws this adventure.


Source : Cie La Baraka


En savoir plus : www.aboulagraa.fr

Nya

Nya, the first piece of the Contemporary Ballet of Algiers is the result of a work in binomial, that established with Nawal Aït Benalla-Lagraa, within the framework of the Mediterranean Cultural Bridge. It is indeed through an intense formation (classic, contemporary and yoga), that she knew how to give to these young dancers stemming from the street, a physical freedom and an intellectual opening to be available on my choreographic writing and on the process of creation himself, in all her complexity and her difficulties.
Thanks to this artistic opening, carrier of hope, and to their expressed enthusiasm, Nya, Arabic word expressing the fact of relying on the life, appeared to me here as an evident title of sense. Indeed, in Algeria, from our early childhood, our parents pass on to us this word which is directly connected to the divine and which is an integral part of the vocabulary of every day. If somebody carries in him this Nya, he is necessarily going to transform all the sufferings of the life to help him to exist, to bloom and thus to open to the world. It is very there that this Mediterranean Cultural Bridge also takes all its sense. Because he offers to this current youth, the means to imagine, to create and to give to the public a more just vision of the fact that she is.


This creation consists of two different parts, each was bathed by two representative musics of the French and Algerian collective memory: the Bolero of Maurice Ravel and the Singings of Houria Aïchi. And two choreographic universes show themselves there. For the first one, my choice is to highlight the peculiarity of every dancer in a writing hip-hop. For second, my desire is to speak about their culture and about their identity, made by tradition and by modernity. And so dances and musics allow the journey between both banks of this Mediterranean Bridge. The mesmerizing voices of Houria Aïchi and the Bolero of Ravel in the oriental melodies wrap the bodies of the dancers to take them until the trance. 


Source : Abou Lagraa


En savoir plus : https://www.aboulagraa.fr/ 

Lagraa - Aït Benalla, Nawal

Born in Morocco of a Berber father and French mother, Nawal Aït Benalla Lagraa moved to France with her family when she was eight. She began ballet very young and completed her classical training, during which she tackled the repertoire’s great roles. Before long, Nawal broadened her dancing and became interested in contemporary and jazz styles. She took part in
productions with the Armstrong Jazz Ballet, where she had the opportunity to work with choreographers as contrasting as Wayne Barbaste and Géraldine Armstrong, Georges Momboye and Matt Mattox... 


An artist in the fullest sense, open to diverse forms of artistic expression, Nawal was soon approached by many other choreographers and directors.
As a result, she has performed in Jacques Weber’s Cyrano de Bergerac at the Théâtre du Châtelet, in Yannis Kokkos’ The Trojans and at Opéra Bastille with Blanca Li... She has also taken part in numerous audiovisual events. 


Passionately committed to exchanges and teaching, in 2005 she obtained her State Diploma as a dance teacher at the Centre National de la Danse, Pantin (Paris). 


She joined the La Baraka company in 2006 for Matri(k)is and became Abou Lagraa’s assistant for the Ballet Memphis (USA) commission in 2007. 


For the Lyon International Dance Biennial in 2008, Abou Lagraa devised the duet D Eux Sens for Nawal and himself. 


In 2009, she assisted Abou Lagraa for the Closing Ceremony of the Pan African Festival in Algiers. This was a revelation for her, and she decided to dedicate herself more fully to training young Algerian dancers, offering them professional status through an introduction to contemporary dance. 


In 2010, in addition to performing in Un monde en soi, a piece for seven dancers and the Debussy Quartet, she helped Abou Lagraa develop the Mediterranean Cultural Bridge project for which she took over the educational leadership. 


In her own words This intensive training is, in my opinion, the right way to convey to these young performers, committed in body and in soul, the appreciation for hard work and thought that you need to gain access to the state of dance, to freedom... 


She continues to teach while NYA is on tour, and shares her love of teaching in many workshops and masterclasses, particularly in France, the Netherlands, Spain, Poland, Russia, the USA... 


She assisted Abou Lagraa for his 2012 creation, Univers l Afrique, and helps the dancers of the Algiers Contemporary Ballet in their teaching mission to help a new generation of teacher/dancers bloom in Algeria. 


Source : La Baraka


En savoir plus : www.aboulagraa.fr

Ait Benalla, Laurent

Born in 1976, lives and works in Montpelier. Operator and photographer, he forms in the recording and turns a first documentary movie about chikhat, in Morocco, with Mohammed Atif, in 2003. He creates then SLAB, a structure of production within which he turns a portrait of the film-maker Marcel Hanoun and a short documentary between 2008 and 2009, and coproduces diverse projects.

In 2010, la Compagnie La Baraka commands him the realization of a short movie, turned in Algiers, on the preparation of Nya, Abou Lagraa: it looks On the Bridge (9 '). He intends to prolong this meeting with young Algerian contemporary dancers and la compagnie La Baraka by a movie, for the television or the cinema, which redraws this adventure.


Source : SLAB production


En savoir plus : www.slab-net.com

Sur le Pont

Choreography : Abou Lagraa

Interpretation : Le Ballet Contemporain d'Alger

Our videos suggestions
35:18

Les Carnets Bagouet, université d'été

Bagouet, Dominique (France)

  • Add to playlist
31:51

Dominique Bagouet, 17 fragments sur le thème de l'enfance

Bagouet, Dominique (France)

  • Add to playlist
54:38

La danseuse d'ébène

Boro, Seydou (Burkina Faso)

  • Add to playlist
01:09:29

LEX

Fontaine, Geisha (France)

  • Add to playlist
43:28

Djai

Larrieu, Daniel (France)

  • Add to playlist
05:41

Allers-Retours

Raynal-Diarra, Cécile (France)

  • Add to playlist
05:05

Pas à pas

Neumeier, John (France)

  • Add to playlist
02:47

Ô my body !

Lagraa - Aït Benalla, Nawal (Ô my body ! [extrait 1])

  • Add to playlist
10:39

Le nom

Chopinot, Régine (France)

  • Add to playlist
07:26

Beautiful me

Maqoma, Gregory Vuyani (France)

  • Add to playlist
07:53

Interview Mokhtar Boussouf | Pont Culturel Méditerranéen / NYA

Interview Mokhtar Boussouf (Algeria)

  • Add to playlist
02:10

Fenella

Gleich, Julia K. (United Kingdom)

  • Add to playlist
01:20:51

Wasla, ce qui relie

Fattoumi, Héla (France)

  • Add to playlist
02:53

Benjamin de Bouillis

Foofwa d'Imobilité (Switzerland)

  • Add to playlist
11:40

Violatus

Lagraa, Abou (Violatus)

  • Add to playlist
06:59

Zoom backstage : auditions for "Orphée"

Hervieu, Dominique (France)

  • Add to playlist
02:38

Les Murs-Murs de la Méditerrannée

Hammadi, Raza (France)

  • Add to playlist
10:02

Nya

Lagraa - Aït Benalla, Nawal (Algeria)

  • Add to playlist
01:04:01

Nya

Lagraa, Abou (Algeria)

  • Add to playlist
Our themas suggestions

La compagnie Dyptik

Exposition virtuelle

Maison de la Danse de Lyon

La compagnie Dyptik

Exposition virtuelle

Découvrez la compagnie Dyptik, leur travail et leur lieu de création dans cette exposition virtuelle.

Discover
Know more

La part des femmes, une traversée numérique

Exposition virtuelle

VIADANSE Direction Fattoumi/Lamoureux - CCN de Bourgogne Franche-Comté à Belfort

La part des femmes, une traversée numérique

Exposition virtuelle

Une exposition virtuelle proposée par notre contributeur VIADANSE - CCN de Belfort en Bourgogne-Franche-Comté.

Discover
Know more

Hip hop / Influences

Parcours

Anne Décoret-Ahiha

Hip hop / Influences

Parcours

This Course introduce to what seems to be Hip Hop’s roots.

Discover
Know more

COLLECTION BAGOUET

Exposition virtuelle

Montpellier Danse

COLLECTION BAGOUET

Exposition virtuelle

La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.

Discover
Know more

La Biennale de la danse

Exposition virtuelle

Biennale de la danse

La Biennale de la danse

Exposition virtuelle

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.

Discover
Know more

Dancing bodies

Parcours

Centre national de la danse

Dancing bodies

Parcours

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Discover
Know more

Female / male

Parcours

Anne Décoret-Ahiha

Female / male

Parcours

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more