Allers-Retours
2000
Choreographer(s) : Raynal-Diarra, Cécile (France)
Present in collection(s): Ministère de la Culture
Video producer : les Films Seine-Océan, TV10 Angers
Allers-Retours
2000
Choreographer(s) : Raynal-Diarra, Cécile (France)
Present in collection(s): Ministère de la Culture
Video producer : les Films Seine-Océan, TV10 Angers
Allers-Retours
In Le Havre, where at least half its population are immigrants, Cécile Raynal-Diarra’s African dance workshop finds a special echo. This young French woman lived in Africa for a long time, then deciding, on her return to France, to pass on what she had learnt there. Designed in four parts, Christian Zarifian’s film testifies to the attraction of cultural exchanges that are expressed through this experience of movement.
Allers-Retours is filmed in a single place: the dance studio. Every Wednesday, students of varying origins learn African dance to the beat of the percussions played there. This class is, as often, solely attended by women. Each part of the documentary corresponds to a specific moment in the workshop filmed over the year. With time, the camera is forgotten and the students speak, explaining why they chose to follow these classes. Each one gives their impressions: seeking another state, losing control over your body, being in the music or dancing for others, all these form part of the discoveries of dance. But this learning process also shows the interest each student takes in questioning their own roots, by confronting a different culture or by seeking to regain their own.
Source : Irène Filiberti
Raynal-Diarra, Cécile
Cécile Raynal was born in 1966 and lives and works in Normandy.
She graduated from Toulouse School of Fine Arts in 1991 with a DNSEP (French Higher Diploma in Plastic Arts). Cécile Raynal was a visual artist and dancer for many years but, since 2008, has focused exclusively on sculpture. A free spirit, perpetually moving between two centres of interest which are different in texture but are both driven by the body, Cécile Raynal-Diarra, who is influenced by European and African cultures, adores defying paradoxes and complementarities to spark encounters.
“Cécile Raynal is the author of a certain form of absolute art where immersion into alterity already unveils the work. The plasticity of this experimentation is actually one of the artist’s materials, in the same vein as the clay itself”. (Florence Calame-Levert, Doctor of Ethnology, Director of the Evreux Museum of Arts, History and Archaeology).
Source : Cécile Raynal
En savoir plus :
Allers-Retours
Artistic direction / Conception : Christian Zarifian
Production / Coproduction of the choreographic work : les Films Seine-Océan, TV10 Angers Participation : CNC, Fas, ministère de la Culture et de la Communication (DDAT)
Le défilé de la Biennale de la danse
Exposition virtuelle
Le défilé de la Biennale de la danse
Exposition virtuelle
La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ?
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Black Dance
Webdoc
Black Dance
Webdoc
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Contemporary techniques
Parcours
Contemporary techniques
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.