Ad Libitum
Ad Libitum
Ad Libitum
Improvised trio
Maalem, Heddy
Choreographer, teacher, discoverer of talents recognized on the national and international scenes, Heddy Maalem decides, in 2017, to recover his creative freedom by putting an end to his choreographic company after several tours of the world with his creations (Black Spring, The Rite of spring, But the Devil is walking by our side, Praise of the mighty kingdom ...). In the intimacy of his studio and during many travels, he renews his relationships with the interpreters by conducting videographic research. He directed the film "Abroad, portraits of dancers" and the collection "Collateral beauties".
Ad Libitum
Artistic direction / Conception : Heddy Maalem
Interpretation : Angelica Ramirez Camilo Diaz Santa Soleyman Maalem
Dyptik Company
Noé Soulier Rethinking our movements
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
40 years of dance and music
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Maison de la danse
Improvisation
Discovery of improvisation’s specificities in dance.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Hip hop enters the French arts scenes
Carolyn Carlson, a woman of many faces
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Reinterpreting works: Swan Lake, Giselle
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.