Feathers of La Fronde
2015 - Director : Barua, Owa
Choreographer(s) : Barua, Natalia (United Kingdom)
Present in collection(s): Centre de Vidéo Danse de Bourgogne
Video producer : Owa Barua & Natalia Barua
Feathers of La Fronde
2015 - Director : Barua, Owa
Choreographer(s) : Barua, Natalia (United Kingdom)
Present in collection(s): Centre de Vidéo Danse de Bourgogne
Video producer : Owa Barua & Natalia Barua
Feathers of La Fronde
Director: Owa Barua
Concept & choreography: Natalia Barua
Dancers: Natalia Barua, Maren Lermann, Jessy Wenzel
Music: Martin Skog
Sound design: Martin Skog & Erik Ullstad
Associate producers: Jana Bobosikova, Jeffrey Ford
Assistant: Thanos Palatos
Runners: Filipa Fabrica, Samanta Murphy, Zoi Orfanou
Barua, Natalia
Barua, Owa
Feathers of La Fronde
Choreography : Natalia Barua
Interpretation : Natalia Barua, Maren Lermann, Jessy Wenzel
Original music : Martin Skog
Video conception : Réalisateur: Owa Barua
Sound : Martin Skog & Erik Ullstad
Other collaborations : Assistant: Thanos Palatos - Coursiers: Filipa Fabrica, Samanta Murphy, Zoi Orfanou
Production / Coproduction of the video work : Producteurs associés: Jana Bobosikova, Jeffrey Ford
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Vidéo-danses mexicaines
Exposition virtuelle
Vidéo-danses mexicaines
Exposition virtuelle
Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/).
Outdoor dances
Parcours
Outdoor dances
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
States of the body
Parcours
States of the body
Parcours
Explanation of the term « State of the body » when it’s about dance.
La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.
Dancing bodies
Parcours
Dancing bodies
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
The contemporary Belgian dance
Parcours
The contemporary Belgian dance
Parcours
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Genres and styles
Parcours
Genres and styles
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Butoh
Parcours
Butoh
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
When reality breaks in
Parcours
When reality breaks in
Parcours