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Corps est graphique

In “Corps est Graphique”, Mourad Merzouki chooses to examine the place of women in hip-hop dance. Aware of their near absence, he envisages their presence and examines the alternatives. Are the dancers prepared to discuss, exchange, share this dance? With a vocabulary of pure movements and a fluidity of the body, both female and male dancers bring to the fore in turn their femininity and virility. This confrontation fades gradually in favour of the artistic intent. The initial question of the rapport between men and women no longer finds a place and becomes superfluous.

Merzouki, Mourad

Born in Lyon in 1973, Mourad Merzouki began practicing martial arts and circus arts as early as a seven-year-old. At the age of fifteen, he encountered hip-hop culture for the first time and through it, he discovered dance.

He quickly decided to develop this form of street art while also experimenting with other choreographic styles, particularly with Maryse Delente, Jean-François Duroure and Josef Nadj.

The wealth of his experiences fed his desire to direct artistic projects, blending hiphop with other disciplines. In 1989 he, along with a group of dancers, created his first company ‘Accrorap'.

In 1994 the company performed Athina during Lyon's Biennial Dance Festival; it was a triumph that brought street dance to the stage.Merzouki's travels have led him into unchartered territory, where dance can be a powerful means of communication.

In order to develop his own artistic style and sensitivity, Merzouki established his own company, Käfig, in 1996.

In January 2006, Compagnie Käfig began a period of residence at Espace Albert Camus in Bron. The theatre became the venue of the Karavel Festival, created in 2007 under the leadership of Mourad Merzouki. The festival invites some 10 different hip-hop companies and other initiatives to the city.

In parallel, Mourad Merzouki spearheaded the inception of a new center for choreographic creation and development: Pôle Pik opened its doors in Bron in 2009.

In June 2009, Mourad Merzouki was appointed director of the Centre chorégraphique National de Créteil et du Val-de-Marne. He continues to develop his projects there, with an accent on openness to the world.

In 18 years, the choreographer has created 22 shows and his company gives on average 150 performances per year around the world.


Source : CCN Créteil et Val-de-Marne’s website


More information : http://ccncreteil.com/

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
 On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
     - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
     - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
     - He started «présentations de saisons» in pictures.
     - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.


Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Corps est graphique

Artistic direction / Conception : Mourad Merzouki

Choreography : Mourad Merzouki

Interpretation : Yann ABIDI, Karim BEDDAOUDIA, Kader BELMOKTAR, David IMBERT, David PAGLIAROLI, Anna IVACHEFF, Francoise KAIRO, Sadia LBAZ, Joseph N’GUESSAN, Hafid SOUR Ingrid PATRIS, Aminata SAUVENAY

Original music : AS’N

Video conception : Captation réalisée à la Maison de la Danse de Lyon en septembre 2003 par Charles Picq Montage teaser Fabien Plasson

Lights : Yoann TIVOLI

Costumes : Carima AMAROUCHE

Settings : Martin LECOMTE assisté de Stéphane GUILLEMIN

Other collaborations : Marionnettes Carima AMAROUCHE assistée de ALCANTARA, Conseillère manipulation des marionnettes Laurie CANNAC, Vidéo Les Machineurs : Emmanuel PAMPURI & Fred AUJAS

Production / Coproduction of the choreographic work : Compagnie Käfig, Maison de la danse de Lyon, Maison des Arts de Créteil, Centre National de Création et de Diffusion Culturelle de Châteauvallon, Espace Albert Camus de Bron, Scène Nationale d’Aubusson – Théâtre Jean Lurçat Avec le soutien de la Fondation BNP Paribas

Duration : 1 heure

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