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2018 - Director : Plasson, Fabien
Choreographer(s) : Zimmermann, Martin (Switzerland)
Present in collection(s): Biennale de la danse , Maison de la Danse de Lyon , Biennale de la danse - 2018
2018 - Director : Plasson, Fabien
Choreographer(s) : Zimmermann, Martin (Switzerland)
Present in collection(s): Biennale de la danse , Maison de la Danse de Lyon , Biennale de la danse - 2018
Packed with visual collisions, Zimmermann’s wordless theatre has circus, dance and visual-arts roots. Here, with live piano accompaniment, a tasteful museum space catalyses, in tragi-comic manner, the violence and complexity of human passions… As the three characters (at once actors, dancers and circus performers) come up against the institution’s walls and their own limits, and things go irresistibly askew, what chance survival? Will the seeds of conflict finally cause them to snap, or rewrite the rules?
Source: Biennale de la danse 2018
Martin Zimmermann was born in 1970 and grew up in Wildberg, a small Swiss village. After studying set design, he graduated from the Centre National des Arts du Cirque (C.N.A.C.) in France. Following his return to Zurich in 1998 he began to work as a choreographer and director. Ever since then, Martin Zimmermann has worked in partnership mainly with the composer and director Dimitri de Perrot with whom he co-directs the company Zimmermann & de Perrot. They have performed their productions around the world. Several of their pieces were created at Théâtre Vidy-Lausanne: Hoi (2001, Gaff Aff (2006), Öper Öpis (2008) and Hans was Heiri (2012)
Martin Zimmermann lives and works in Zurich.
More information : zimmermanndeperrot.com
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Artistic direction / Conception : Martin Zimmermann
Choreography : Martin Zimmermann
Interpretation : Tarek Halaby, Dimitri Jourde, Romeu Runa et Colin Vallon
Artistic consultancy / Dramaturgy : Sabine Geistlich
Stage direction : Martin Zimmermann, Sarah Büchel
Set design : Martin Zimmermann, Simeon Meier
Original music : Colin Vallon
Lights : Jérôme Bueche
Costumes : Martin Zimmermann
Settings : Ingo Groher
Sound : Andy Neresheimer
Other collaborations : Eugénie Rebetez
Production / Coproduction of the video work : Biennale de la danse 2018 - Fabien Plasson
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Depuis sa création en 1984, la Fondation BNP Paribas soutient les arts de la scène. Attentive à la qualité de son engagement auprès de ses partenaires, elle veille à accompagner leurs projets dans la durée. Découvrez les engagements de la Fondation.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.