Skip to main content
Back to search
  • Add to playlist

3 in Passacaglia

Following the huge public success of “Mayday…”, Yasuyuki Endo, dance soloist and assistant to Frédéric Flamand, has created a trio on pointes to Halvorsen's Passacaglia based on a theme of Handel, revisiting the classical and neoclassical language in his own way.


"The trio “3 in Passacaglia”, by and with Yasuyuki Endo, (…) is a sheer wonder, a jewel of technical precision, rigour and emotion. The piece alternates between duets and a trio to the rhythm of the passacaille and the sarabande with variations in G minor by Halvorsen based on Handel. Contact is light, rapid, refined and carried along. A work highlighting the elegance and technique of pointes by the very graceful Ji-Young Lee before
coming to an end to thunderous applause." Didier Philispart, FRÉQUENCE SUD

Endo, Yasuyuki

Yasuyuki Endo was born in Tokyo Japan. He starts ballet at Shigyo Ballet School Tokyo in 1986. In 1991 he joined star dancers ballet Tokyo, he danced different role of repertoire such as young soldier in Kurt Jooss ‘s ”green table”, leading role in aAntony Tudor ‘s “Lilac Garden”, he chosen for the leading role in Jerome Robbins ‘s ”Afternoon of a Faun”and received high reputation. 


 In 1994 he joined the Australian Ballet. He danced different roles of repertoire such as solo in Maurice Bejart ‘s “Le Concours”, solo in Stephen Baynes ‘s “beyondbach”. He choreographed ”distance” for new moves of the Australian Ballet. 


 In end of 1996 he back to Tokyo to joined Star Dancers Ballet, he danced different roles of repertoire such as the leading role in Peter Wright ‘s version of ”coppelia”, Fryday night solo in Kennerh Macmillan ‘s “Elitsyncopation”, solo in George Balanchine ‘s “Western Symphony” solo in William Forsythe ‘s “Step Text” also he choreographed “trans” for Star Dancers Ballet Tokyo. In 1998 he received the 10th muramutu award for artist in Japan. 


 In 1999 he joined Charleroi Danses plan-k, he danced and attended in all creations of Frederic Flamand’s work. At same time he had been guest artist and guest choreographer for several companys. He performs in Saburo Teshigawara ‘s “i was real documents”, he went to Israel tour and Montreal Dance Festival in Canada in 1999, he also danced in Saburo Teshigawara‘s opea “Turandot”2000-2002.He choreographed ”Chain “for Aoyama Ballet festival, “Ongaku”for tama Ballet Festival in 2002. He choreogaphed”Haoto”for project paserelles 03 (belgium) in 2003. 


He formed Bonobos (performing art group) with Taka Shamoto (Rosas) in 2002, he taught improvisation workshop and creation for saison foundation Tokyo 2002-2004.
 

In 2005 he joined Ballet National de Marseille as a soloist dancer, he danced and attended in all creations of Frederic Flamand’s work. At same time he choreographed a lot of works. 


 Since 2011 he has organised the All Nippon Ballet Gala Dance Festival in Yokohama and Tokyo, in aid of the Tohoku earthquake disaster, as well as the Gala for Fukushima. He also choreographed “LOVE LOVE ROBOT <junkie of happiness>” for SDB Tokyo, and, in 2013, “Da.Da.Ma.Da.MAD” for the opening of Marseille-Provence 2013, European Capital of Culture. 


 Also he taught ballet classes and contemporary dance work shops in Europe and Japan.


Source : yasuyukiendo web site


More information : http://www.yasuyukiendo.com/

3 in passacaglia

Yasuyuki Endo has created a trio on pointes revisiting the classical and neoclassical language.

Ballet national de Marseille

Back in 1972, Roland Petit created the Ballets de Marseille. Having lost  its -s, the Ballet has become a Centre Chorégraphique National in 1984  wille  be run by the collective (LA)HORDE. 

The creation and  dissemination of shows by the Ballet and guest artists are at the heart  of what it does. Very much rooted in our time, curious about and open to  the world, the BNM is also a prestigious part of Marseille’s cultural  heritage, close to Parc Borély.

Source: BNM

En savoir plus: www.ballet-de-marseille.com/en

3 in passacaglia

Additionnal music : Passacaglia and Sarabande with Variations in G Minor de Halvorsen d'après Haendel

Lights : Hisashi Adachi (Imp LIGHTING), Bertrand Blayo

Costumes : Jean-Michel Lainé

Production / Coproduction of the video work : Ballet National de Marseille

Duration : 10'

Our videos suggestions
03:00

Sehnsucht

Waehner, Karin (France)

  • Add to playlist
03:00

Changement de quai à Poitiers

Waehner, Karin (France)

  • Add to playlist
02:59

#Hashtag

Fghani, Riyad (France)

  • Add to playlist
03:03

Hommage à Hoagy Carmichael

Bufalina, Brenda (France)

  • Add to playlist
03:00

Pond

Nikolaïs, Alwin (France)

  • Add to playlist
03:00

Käfig

Merzouki, Mourad (France)

  • Add to playlist
02:59

Les stratégies obliques

Rivière, Valérie (France)

  • Add to playlist
02:58

Point Zéro

Dianor, Amala (France)

  • Add to playlist
17:55

Récits d'une création

Boussouf, Fouad (France)

  • Add to playlist
03:09

One More Thing

Boutrous, Adi (France)

  • Add to playlist
03:01

ab [intra]

Bonachela, Rafael (France)

  • Add to playlist
02:54

BackBone

Gravity & Other Myths

  • Add to playlist
02:59

Hôtel Bellevue

Guerry, Thomas (France)

  • Add to playlist
02:57

Neighbours

Yasit, Rauf "RubberLegz" (France)

  • Add to playlist
03:02

førm Inførms

Da Silva Ferreira, Marco (France)

  • Add to playlist
03:00

Emaphakatini

Dianor, Amala (France)

  • Add to playlist
01:52

L'Oiseau de feu

Malandain, Thierry (France)

  • Add to playlist
02:31

Le Sacre du printemps

Harriague, Martin (France)

  • Add to playlist
03:00

Graces

Gribaudi, Silvia (France)

  • Add to playlist
03:00

Body Concert

Boram, Kim (France)

  • Add to playlist
Our themas suggestions

Vlovajobpru company

Exposition virtuelle

fr/en/

Mexican Video Dance

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

Carolyn Carlson, a woman of many faces

Exposition virtuelle

fr/en/

Dance to exist

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

Hip hop on French theater stages

Parcours

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

New breath : 21st century youth enters the world of dance

Exposition virtuelle

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

“Dansons Maintenant”! A contemporary dance festival in Benin

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more