Artists, companies, institutions, these structures bring to the platform their audiovisual heritage, their knowledge, their expertise in favor of the choreographic art. For the platform's 10th anniversary, it was important and necessary to put the contributors of Numeridanse in the spotlight! 

In order to celebrate them and so that Numeridanse users get to know them better, we have invited our contributors to answer a series of questions about their works, their inspirations, their desire for collaborations, their creation anecdotes. 

Discover these artists in the We are Numeridanse collection!

For more than twenty years, Christian and François BEN AÏM have been building a work rich of poetry and high standards, fraternal bond and singularity.

At the end of a multidisciplinary training combining dance, physical theater and circus, each one follows his path as a performer, then the two brothers meet to create À l’abri du regard des hommes, avant d’aller mourir ailleurs, a hybrid dance-theater piece which marks the beginning of their collaboration in 1997. Twenty pieces will follow which anchor their fieldwork as much as they travel internationally. They draw their inspiration from literary, musical and pictorial sources, and intimately mixing artistic disciplines on the stage : En plein coeur (2006), Valse (2010), The Ogresse on archives and her dog (2011), Lightness of Storms (2014), Burn, rebellious hearts (2017), Mirages — boreal souls (2018), Arise (2019), JESTS (2021).

Marked by an uncompromising energy, summoning the performer to an intimate relationship with movement, the dance of the BEN AÏM brothers offers, beyond a speech, an experience, a "crossing" that the dancer performs in front of our eyes, that he lives each time with the sincerity of a full and entire presence.

With this demanding writing comes an art of composition which gives birth to the stage an imagination borrowing from dreams, from the marvelous of the tale and from invisible realities. Through a subtle effect of empathy, the audience enters an unstable world, where everything is the object of poetic questioning - a world to be experienced together.

Calendar of creations

2021

JESTS

2019

Snapshots - A series femal solos

Arise

2018

Mirages — Boreal souls

2017

Brûlent nos coeurs insoumis (Burn, rebellious hearts)

2016

Peuplé, dépeuplé (Inhabited, uninhabited)

2014

La légèreté des tempêtes

2013

La forêt ébouriffée (The Dense Forest)

L'orée des visages

Karma

2011

L'Ogresse des archives et son chien

2010

Valse en trois temps

Résistance au droit

2008

Louves

Amor fati fati amor

2007

You're a bird, now!

2006

En plein coeur

2004

Carcasses, un oeil pour deux

2003

Ne vous fiez pas au titre, il peut encore changer

2001

Ô my brother !

La Frontera

1999

Un homme en marche

L'enfant du miroir

1998

L'homme rapaillé

1997

A l'abri du regard des hommes, avant d'aller mourir ailleurs

After training in video editing, Tiffanie Deschamps made her debut in television. From the start, she never ceased to build bridges between her work as an audiovisual editor and her activities as light manager and assistant director for live shows with the Mac Guffin collective. Co-founder and co-director of the Théâtre de l'Uchronie in Lyon since 2013, she naturally comes to portray theatrical and choreographic pieces, and to tell the dance, in particular within the Maison de la Danse de Lyon and during cultural events such as the Lyon Dance Biennale.