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"Ways to strength and beauty" (German: Wege zu Kraft und Schönheit) is a 1925 Ufa-Kulturfilmabteilung of Weimar Germany directed by Nicholas Kaufmann and Wilhelm Prager.
The action was an idealized, beautiful symphony to health and beauty in conformity with nature. The film offered a contrast to the rather hopeless living in the city of Berlin and other large cities of Germany during the twenties and became an immediate success quite from the beginning. Finally it became the most popular and most important German kulturfilm of this period. The film is best known as the first film to feature Leni Riefenstahl as one of the nude dancers in a tasteful ballet
Source : Amazon
Artistic direction / Conception : Nicholas Kaufmann, Wilhelm Prager
Interpretation : Ecole Mary-Wigman-Schule, with Leni Riefenstahl
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/).
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Webdoc
Webdoc
Parcours
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Parcours
Parcours
Parcours
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Parcours
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Parcours
Parcours
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Parcours
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.