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2016 - Director : Plasson, Fabien
Choreographer(s) : Lafeuille, Philippe (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
2016 - Director : Plasson, Fabien
Choreographer(s) : Lafeuille, Philippe (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Six dancers lead us into a frantic and humorous visual maelstrom. In 20 paintings, they revisit the icons of ballet, contemporary dance, salon, sports and rhythm, academic or acrobatic. It's an ode to dance, where derision meets demand. The opportunity for neophytes to discover its major themes, and for the most discerning to rediscover them in a new light, but never distorted.
Source : Val prod
Philippe Lafeuille is a dancer, choreographer and director. After discovering dance through a Maurice Béjart show, he decided to enrol in a programme at the Académie Solange Golovine, and was soon dancing for a variety of choreographers such as Joseph RUSSILLO and later Peter GOSS, for whom he would perform the main plays. During his career, Philippe Philippe Lafeuille also danced with Madonna and even Rudolf NUREYEV. A multifaceted artist, each of his creations is a playing field where all genres are mixed: dance, theatre, humour, visual arts… Anything is possible!
He began his choreography career by founding CHICOS MAMBO, for whom he was the principal performer. With this first company, he did what he enjoyed the most – turning dance into comedy! Philippe Lafeuille enjoys surrounding himself with artists in his creations, not just for the lighting and sound, but also for the visual universe (sets, costumes). Among other things, for several years he has been working with the illuminator Dominique Mabileau, and the visual artist Corinne Petitpierre, who participated in the creation of "Tutu".
A generous artist, cultural activity has played an important part in his career. With the desire to make the repertoire and choreographic culture accessible, he is an Associated Artist at the Scène Nationale de Cergy-Pontoise on projects such as dance workshops in schools, amateur dance groups, etc.
Source: Val production / Tutu
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Artistic direction / Conception : Philippe Lafeuille
Artistic direction assistance / Conception : Flavie Hennion
Choreography : Philippe Lafeuille
Choreography assistance : Flavie Hennion
Interpretation : David Guasgua M, Pierre Emmanuel Langry, Julien Mercier, Guillaume Queau, Vincenzo Veneruso, Stéphane Vitrano, Zentai Corinne Barbara
Additionnal music : Tchaïkovsky
Lights : Dominique Mabileau, Guillaume Tesson , Armand Coutant (régie)
Costumes : Corinne Petitpierre, Anne Tesson , Cécile Flamand (habilleuse), Gwendoline Quiniou (perruques)
Technical direction : Albert Penouel
Sound : Antisten
Other collaborations : Romain Compingt (tutulogue), Thomas Strebler (régie plateau)
Production / Coproduction of the choreographic work : Val Productions
Production / Coproduction of the video work : Maison de la Danse
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Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
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Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Depuis sa création en 1984, la Fondation BNP Paribas soutient les arts de la scène. Attentive à la qualité de son engagement auprès de ses partenaires, elle veille à accompagner leurs projets dans la durée. Découvrez les engagements de la Fondation.
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Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
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Parcours
Choreographic creations sometimes include accessories to complement, nourish or constrain dance.
Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
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Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
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Parcours
This parcours presents different video extracts in which hands are the center of the mouvement.
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Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
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Panorama of contemporary dance practices in Italy during the 2000s.
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Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
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Parcours
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.