Since their teenage years, Cecilia  Bengolea and François Chaignaud have been going to discos and have  turned it into a place where to practise. From London to NYC, they go  from club to club: drum&bass, jungle, dubstep, reggae, bashement,  house, voguing, hype as anthropological research centres. That is where  they have become familiar with and learnt Jamaican dancehall, krump,  house, split & jump… – dances which, regardless of their formal and  spiritual differences, have a certain playfulness in common (with music,  and between the technical principles and the ideals determining them).

As for altered Natives’ Say Yes To Another Excess ⎯ TWERK,  they collectively and intuitively make their way through a specific  impure writing process, enlightened by graphic and organic devoured  dances – beyond references. Together with Alex Mugler, Ana Pi and Elisa  Yvelin, they have set themselves the challenge to trust dance, its  expressive, brotherly, poetic, preconscious and discursive powers.

This work and this playful writing  process are achieved in close relation to a musical investigation around  Grime music. As an electro music that comes from East London in the  early 2000s, Grime combines, mixes and transforms sounds from dancehall,  hip-hop and UK garage.

The syncretic ferociousness of this  style, which seems to be hanging between two contradictory speeds,  between the abstraction of synthetic sounds and MCs’ sensual emergency,  interacts with the various influences which have inspired the dances. It  is the first time that DJs from the Grime scene (Elijah and Skilliam of  London label Butterz) play in a theatre and collaborate with  contemporary dancers.

Born in Buenos-Aires, Cecilia Bengolea studied urban dance forms, before to pursue studies in anthropological dances with Eugenio Barba, as well as Philosophy and Art History at the University of Buenos Aires. In 2001, she moved to Paris and followed the training Ex.e.r.c.e. directed by Mathilde Monnier in Montpellier.
In dialogue with Levi Strauss’s œuvre Tristes tropiques, Cecilia Bengolea co-directed two videos in 2011: La Beauté (tôt) vouée à se défaire with Donatien Veisman and Cri de Pilaga with Juliette Bineau. As a dancer, choreographer and performance artist, Cecilia Bengolea perceives dance and performance as ‘animated sculpture’ and welcomes the fact that these forms allow her to become both ‘object and subject at the same time’.

In 2016, Bengolea was commissioned by the ICA for London Art Night 2016 to present a video installation into holographic mirrors at Covent Garden Market and perform an outdoor participatory dancehall practice in the historical West Piazza of Covent Garden with ballerina Erika Miyauichi and dancehall artist Damion BG Dancerz. Bengolea also works with artists Dominique Gonzalez-Foerster, Monika Gintersdorfer, Knut Klassen as well as Jamaican Dancehall artists such as Joan Mendy and Damion BG dancerz. In collaboration with Jeremy Deller (UK), she co-directed the film RythmAssPoetry (rap) commissioned by the Biennale de Lyon 2015. Their second film, Bombom’s Dream, shot in Jamaica in 2016, commissioned by Hayward Gallery London and Sao Paulo Biennial 2016.

Source: The company Vlovajob Pru 's website

More information

vlovajobpru.com

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).