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2013 - Director : Plasson, Fabien
Choreographer(s) : Onikeku, Qudus (Nigeria)
Present in collection(s): Biennale de la danse , Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Integral video available at Maison de la danse de Lyon
2013 - Director : Plasson, Fabien
Choreographer(s) : Onikeku, Qudus (Nigeria)
Present in collection(s): Biennale de la danse , Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Maison de la Danse
Integral video available at Maison de la danse de Lyon
The ambiguity of the world… Of people… Of their strange, tug-of-war relationships, oscillating between extreme moral, psychological and historical precepts. Affected by these issues, absolutely concerned by the erring ways of human beings, Qudus Onikeku in this solo brutally brings to the stage these fundamental contradictions. “What makes a person suddenly turn into a monster?” he asks, seeking an insightful sincerity more than an impossible answer. His powerful presence, brutal in that it creates turmoil of the air and minds, can confront fearlessly this existential question. STILL/life invites us to celebrate doubt: still here, alive, why, how? And, surely, why dance, now? He asserts in reality that all essential questions integrate a call, a production of redeeming energy, a liberating force, a utopia, a tomorrow.
Source : Maison de la Danse
In 2016, he created a performance lab with the Nigerian dance hub QDanceCenter: « QDanceSession ». The same year, he created two pieces: « We Almost Forgot » and « An African Ballet ».
In 2017, he choreographed a short feminine quartet « Invocations » for the opening of Lagos Contemporary Dance Festival, then the piece “A Brief Moment of Truth” for the TEDxLagos.
Sources: Maison de la danse show program ; Qudus Onikeku 's website
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Choreography : Qudus Onikeku
Interpretation : Qudus Onikeku
Set design : Guillaume Fesneau, Aby Mathieu
Live music : Charles Amblard, Habeeb Awoko
Video conception : Isaac Lartey
Lights : Guillaume Fesneau, Aby Mathieu
Costumes : Alexandra Leyre Mein
Sound : Clément Mathieu
Other collaborations : Damien Jalet
Production / Coproduction of the video work : Maison de la Danse 2013
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Webdoc
Webdoc
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.