Skip to main content
Back to search
  • Add to playlist

The spectator's moment (2021): José Montalvo

Maison de la danse 2021 - Director : Plasson, Fabien

Choreographer(s) : Montalvo, José (France)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la Danse de Lyon

en fr

The spectator's moment (2021): José Montalvo

Maison de la danse 2021 - Director : Plasson, Fabien

Choreographer(s) : Montalvo, José (France)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la Danse de Lyon

en fr

The Spectator's Moment

The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Montalvo, José

At the end of his teenage years, José Montalvo began studying history of art and plastic arts. He was fascinated by the Dada period and its countless inventions. Whilst continuing his university studies, he took dance classes with Jerome Andrews and Françoise and Dominique Dupuy – and joined their company, the Ballets Modernes de Paris – and continued his dance training with Carolyn Carlson, Lucinda Childs, Alwin Nikolais and Merce Cunningham.

José Montalvo's first creations were short fun-filled pieces, types of choreographic aphorisms, mini danced novels filled with emotions, for which he was honoured with a variety of international awards. One of his performers was called Dominique Hervieu: it was the beginning of an artistic adventure and profound complicity that would result in the creation of the compagnie Montalvo-Hervieu in 1988. In 1989, José Montalvo moved on to an innovational path with the creation of “in situ” events: Dances to see and to dance. In July 1993, invited to the Paris Quartier d'été Festival, he was one of the first choreographers to be associated with the Bal Moderne which was created at the Théâtre National de Chaillot at this time.

Another decisive moment the same year: “Double Trouble”, created with the complicity of the video artist Michel Coste, inaugurated a cycle of works where technological images and the physical presence of dancers were confronted with each other. This period led to the creation of a series of works that intertwine with each other and that, whilst being self-sufficient, could, one day, be applied together, like a great baroque-style fresco. This led to great success. In 1998, José Montalvo and Dominique Hervieu were appointed as directors of the Centre chorégraphique national (National Choreographic Centre) in Creteil, Val de Marne. In 2000, José Montalvo was also appointed as dance director of the Théâtre National de Chaillot which was then directed by Ariel Goldenberg.

In 2001, “Le Jardin io io ito ito” was awarded the Laurence Olivier Prize. In 2004, the choreography and the production of Jean-Philippe Rameau's opera “Les Paladins” won unanimous critical acclaim. The performance was nominated for the Laurence Olivier Prize and obtained the prize for the best live recording of an opera for the film produced by François Roussillon. It was also shown in Shanghai, Athens, Paris and Tokyo. Next followed “On danse”(2005) and a diptych devoted to George Gershwin in 2008, with a production of “Porgy and Bess”for the Opéra de Lyon and, echoing this, a luminous choreographic work created for the Biennale de la danse in Lyon: “Good Morning, Mr. Gershwin”.

In 2006, he was awarded the SACD Prize for all of his works. In June 2008, José Montalvo and Dominique Hervieu accepted the proposal to direct the Théâtre National de Chaillot. “Orphée” and “Lalala Gershwin” were created in 2010 and sealed their last joint creations before Dominique Hervieu left to become director of the Maison de la Danse and the Biennale de la danse in Lyon. José Montalvo continues his missions at the Théâtre National de Chaillot alongside Didier Deschamps, around his own creations and privileges events that contribute to renewing the relationship of the theatre with the public. In June 2013, he will be, in particular, the creator and coordinator of an event focusing on amateur activities.

Sources:  Théâtre National de Chaillot ; Maison de la Danse show program

 

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Our videos suggestions
03:38

Yvette Chauviré

Fokine, Michel (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
09:38

Sons of Sissy

Mayer, Simon (France)

  • Add to playlist
02:02

Odile Duboc, une conversation chorégraphique

Duboc, Odile (France)

  • Add to playlist
02:12

Odile Duboc, une conversation chorégraphique

Duboc, Odile (France)

  • Add to playlist
01:18:58

Heroes

Huynh, Emmanuelle (France)

  • Add to playlist
54:55

Words of dancers

Paroles de danseurs (France)

  • Add to playlist
02:59

CouaC

Michard, Alain (France)

  • Add to playlist
11:06

To Hang

  • Add to playlist
19:41

Reine-Claude

Juvanon du Vachat, Martin (France)

  • Add to playlist
03:32

BGirls

  • Add to playlist
03:04

BGirls

  • Add to playlist
33:46

Talking In/To Myself

  • Add to playlist
53:55

My Country Music

Hay, Deborah (France)

  • Add to playlist
01:30:03

Fragments

Bouvier, Joëlle (France)

  • Add to playlist
16:18

Wunsch

Biondi, José (France)

  • Add to playlist
18:11

Thesis in Bodinier

Giordano, Raffaella (France)

  • Add to playlist
47:49

Hurry Up !

Bouvier, Joëlle (France)

  • Add to playlist
Our themas suggestions

Animal Kingdom, participant's words

Exposition virtuelle

fr/en/

Noé Soulier Rethinking our movements

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Improvisation

 Discovery of improvisation’s specificities in dance. 

Parcours

fr/en/

Dancing bodies

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Parcours

fr/en/

Pantomimes

Presentation of Pantomimes in the different types of dance.

Parcours

fr/en/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/

30 YEARS OF GRENADE

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more