Your playlists
The video has been added successfully.
The video is already in this playlist.
Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.
For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.
Exclusively for artists/companies, directors.
Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.
+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)
Promote your video collection
Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.
Retain ownership of your work
Video content is only available through streaming and is not downloadable As a contributor, only you have the tools to export and share your public and private content.
Guaranteed access to an exclusive video collection
Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.
2016 - Directors : Chamecki, Rosane - Lerner, Andrea
Present in collection(s): Centre de Vidéo Danse de Bourgogne
Video producer : chameckilerner
2016 - Directors : Chamecki, Rosane - Lerner, Andrea
Present in collection(s): Centre de Vidéo Danse de Bourgogne
Video producer : chameckilerner
Conceived and directed by : chameckilerner
Choreography and performance: Nao Yamada
Producer: Tanja Meding
Director of photography: Frank Stanley
Commissioned by Experimental Media and Performing Art Center (EMPAC), NY.
In SAMBA #2 chameckilerner chooses to have one samba dancer filmed in extreme slow motion, dissecting this iconic Brazilian cultural manifestation that reveals Brazil’s most profound physicality, the “samba”.
The choreographers work with the cliché of the samba challenged by the possibilities of subverting it. The frame, tight on the hips, is stolen from mainstream Brazilian TV, where Rosane and Andrea grew up. “The Chacrinha frame”, as they like to call, evokes a popular 70’s talent show on Brazilian TV, where, often, the camera zoomed tightly to frame the hips of the dancers, also known as the “chacretes.”
By slowing down the speed, they trust the movement to reveal itself in an unpredictable way. The tension between hips against legs creates a discomforting “dance of the flesh”, subverting the cliché and demolishing (metaphorically and literally) the materiality of the body into a disorienting landscape. This cinematic deconstruction allows for a visualization of what is most visceral about the samba: its primal
energy. chameckilerner aspires with SAMBA #2 to create an authentic and visceral experience, drastically changing the perception of the familiar “samba.” It is as if our eyes can finally see what our bodies always felt watching the samba: its lush, violence, and undomesticated physicality.
All people from all places bring their landscapes in their bodies. SAMBA #2 rescues this
landscape
Artistic direction / Conception : Conçu et réalisé par : chameckilerner (Rosane Chamecki, Andrea Lerner)
Choreography : Nao Yamada
Interpretation : Nao Yamada
Video conception : Directeur de la photographie : Frank Stanley
Production / Coproduction of the video work : Tanja Meding
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Exposition virtuelle
Exposition virtuelle
Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/).
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.