Title
Choreographer
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Reusable Parts/Endless Love
2017
-
Director :
Centre national de la danse, Réalisation
Choreographer(s) : Gerard, Brennan (United States)
Present in collection(s): Centre national de la danse , Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Reusable Parts/Endless Love
2017
-
Director :
Centre national de la danse, Réalisation
Choreographer(s) : Gerard, Brennan (United States)
Present in collection(s): Centre national de la danse , Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Reusable Parts/Endless Love
Since 2003, the Los Angeles-based artists Gerard & Kelly have been working together to create installations and performance-based works which question the formation of the couple and the critical potential of intimacy. Honing in on the gaps between dance and language, Reusable Parts/Endless Love and Timelining examine the shapes that our most intimate relationships take on.
With their influences in minimalist dance, institutional critique and queer theory, Brennan Gerard and Ryan Kelly develop work at the frontier between dance and contemporary art, and in which text, video and sculpture finds its place.
In Reusable Parts/Endless Love, four performers “perform” the sound description of a kiss between a man and a woman. Its inspiration lies in a performance by Tino Sehgal in 2010. This intimate and symbolic gesture is declined, repeated and transmitted in a potentially unlimited loop. This in turn reveals the mechanics of the act itself and sets forth a multitude of gender-related combinations. After all, isn’t this love ritual a performance just like any other?
Source : https://www.festival-automne.com
Gerard, Brennan
Brennan Gerard and Ryan Kelly have collaborated since 2003 to create installations and performances interrogating the formation of the couple and exploring the critical potential of intimacy. Driven by an inquiry of their own partnership, the duo uses choreography, language, video, and sculpture to address questions of sexuality, memory and the formation of queer consciousness.
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Reusable Parts/Endless Love
Artistic direction / Conception : Gerard & Kelly
Interpretation : Matthieu Barbin, Lenio Kaklea, Ryan Kelly, Angèle Micaux, Calixto Neto
Stage direction : Gerard & Kelly
Production / Coproduction of the choreographic work : Production Festival d’Automne à Paris. Coproduction CN D Centre national de la danse. Coréalisation CN D Centre national de la danse, Festival d’Automne à Paris. Avec le soutien de FUSED: French-US Exchange in Dance, un programme de the New England Foundation for the Arts’ National Dance Project, du service culturel de l’Ambassade de France aux États-Unis, et de FACE Foundation, avec le soutien de the Doris Duke Charitable Foundation, the Florence Gould Foundation, et du ministère de la Culture. Une commande de Danspace Project, New York. Performance créée en 2011 à St Mark’s Church, New York.
Duration : 75 minutes
Charles Picq, réalisateur en danse
Exposition virtuelle
Charles Picq, réalisateur en danse
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Parcours
When reality breaks in
Parcours
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Butoh
Parcours
Butoh
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Parcours
States of the body
Parcours
Explanation of the term « State of the body » when it’s about dance.
Ballet pushed to the edge
Parcours
Ballet pushed to the edge
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dance in Quebec: Untamed Bodies
Parcours
Dance in Quebec: Untamed Bodies
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Dancing bodies
Parcours
Dancing bodies
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.