Psaumes Etudes 01 Extrait
2013 - Director : Carlès, James
Choreographer(s) : Carlès, James (France)
Present in collection(s): Maison de la Danse de Lyon , Pièces pour danseurs en voie de professionnalisation
Video producer : Centre Chorégraphique James Carlès
Psaumes Etudes 01 Extrait
2013 - Director : Carlès, James
Choreographer(s) : Carlès, James (France)
Present in collection(s): Maison de la Danse de Lyon , Pièces pour danseurs en voie de professionnalisation
Video producer : Centre Chorégraphique James Carlès
Psalms Study 01 Extract
Psalms Study n°1(2013) - Religious music from Europe and Brazil
Music: Joao Aragao
Duration : 15 - 20 min
Play about spirituality and relationship with the sacred.
What is sacred? What I desecrates ?
And what sacrilege ?
Carlès, James
James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.
Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.
Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.
Carlès, James
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Psaumes Etudes n°1 Extrait
Choreography : James Carlès
Additionnal music : Musique religieuse d'Europe et du Brésil - Joao Aragao
Duration : 15 - 20 min utes
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Scenic space
Parcours
Scenic space
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.