Skip to main content
Back to search
  • Add to playlist

Psalms Study 01 Extract

Psalms Study n°1(2013) - Religious music from Europe and Brazil

Music: Joao Aragao

Duration : 15 - 20 min

Play about spirituality and relationship with the sacred.

What is sacred? What I desecrates ?

And what sacrilege ?

Carlès, James

James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.


Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.

Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.

Carlès, James

Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.

Psaumes Etudes n°1 Extrait

Choreography : James Carlès

Additionnal music : Musique religieuse d'Europe et du Brésil - Joao Aragao

Duration : 15 - 20 min
utes

Our videos suggestions
15:17

Le Sacre du printemps, Sacre #2 [remontage 2018]

Nijinsky, Vaslav (France)

  • Add to playlist
04:14

Priyèr' Sï Priyèr' - focus

Boutiana, Didier (Reunion)

  • Add to playlist
03:15

Bal des genies

Bal des genies (Bal des genies)

  • Add to playlist
47:07

Priyèr' Sï Priyèr'

Boutiana, Didier (Reunion)

  • Add to playlist
20:49

Haru no Saïten, un sacre du printemps [remontage 2015]

Murobushi, Kô (France)

  • Add to playlist
01:49

Prologue for psalms

Carlès, James (France)

  • Add to playlist
53:00

Reamker, danse avec les dieux

Reamker, danse avec les dieux (Cambodia)

  • Add to playlist
13:42

La danse de l'épervier

Yano, Hideyuki (France)

  • Add to playlist
01:04:50

Ushio Amagatsu, éléments de doctrine

Amagatsu, Ushio (France)

  • Add to playlist
54:02

Le sacre du printemps

Maalem, Heddy (France)

  • Add to playlist
03:32

Le sacre du printemps

Delente, Maryse (France)

  • Add to playlist
02:51

Le sacre du printemps

Maalem, Heddy (France)

  • Add to playlist
01:44

vsprs

Platel, Alain (Belgium)

  • Add to playlist
Our themas suggestions

les ballets C de la B et l'esthétique du réel

Exposition virtuelle

Numeridanse.tv
Université Lyon 2 - Arts de la scène et du spectacle vivant

les ballets C de la B et l'esthétique du réel

Exposition virtuelle

Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse. 

Discover
Know more

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Scenic space

Parcours

Anne Décoret-Ahiha

Scenic space

Parcours

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Meeting with literature

Parcours

Centre national de la danse

Meeting with literature

Parcours

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Discover
Know more

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

Céline Roux

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Discover
Know more

Body and conflicts

Parcours

Olivier Lefebvre

Body and conflicts

Parcours

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Discover
Know more

Rituals

Parcours

Anne Décoret-Ahiha

Rituals

Parcours

Discover how the notion of ritual makes sense in various dances through these extracts.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more