Skip to main content
Back to search
  • Add to playlist

Panorama

Panorama

Panorama

A new staging rather than a restaging, Panorama recounts, and yet weaves anew, the history of Compagnie DCA. With some sequences from previous shows (Codex, Petites pièces montées, Shazam !...) as well as a number of pieces from the early days (Vague café, Jump), getting their very first restaging with a number of changes:: female dancers in roles initially held by male dancers; a quintet of performers instead of a quartet; small dancers in roles originally conceived for full-size dancers.

Decouflé, Philippe

Dancer, choreographer, director and art director


As a child, I dreamt of becoming a comic book artist. Drawing is usually the start of my creative process. I just throw out ideas and sketch out pictures that pass through my head. My culture is comics, musicals, nightclub dancing, and also Oskar Schlemmer, the Bauhaus choreographer. Discovering photos of characters from his Triadisches Ballett was a revelation for me. I had always wanted to work with simple geometric shapes like cubes and triangles. I liked seeing how these lines and volumes behaved with each other. Alwin Nikolaïs taught me the importance of light and costume, and the confidence you need to mix everything together. Technically, it was Merce Cunningham who taught me the most about dance. I was taking video courses he was giving in New York. It was fascinating. That’s where I learned how to solve problems of distance and geometry, and the basic principles of optics and movement. Tex Avery inspired me a lot in thinking up gestures that are almost impossible to do. I’ve always kept something of that desire to create something strange, extreme or crazy in my movements. I’m looking for a dance style that’s off-balance, always on the verge of toppling over. With influences like the Marx Brothers, for example, and in particular Groucho Marx, I’ve developed a taste for naughty risk-taking, and comic repetition of mistakes.


Source : Philippe Découflé


More information : cie-dca.com

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Panorama

Choreography : Philippe Decouflé

Interpretation : Meritxell Checa Esteban, Julien Ferranti, Rémy-Charles Marchant, Ioannis Michos, Matthieu Penchinat, Lisa Robert, Violette Wanty

Stage direction : Philippe Decouflé

Original music : Karl Biscuit, Hugues de Courson, Claire Diterzi, Sébastien Libolt & la Trabant, Nosfell et Pierre Le Bourgeois, Parazite Système Sonore (Marc Caro, Joëlle Colombeau, Spot Phélizon), Joseph Racaille

Video conception : Philippe Decouflé, Dominique Willoughby

Lights : Begoña Garcia Navas (Régie générale et lumières)

Costumes : Philippe Guillotel, Peggy Housset (régie)

Technical direction : Lahlou Benamirouche

Sound : Claire Thiebault (régie)

Other collaborations : Eric Martin (Coordination chorégraphie, costumes et décor), Léon Bony et Chloé Bouju (régie plateau)

Production / Coproduction of the choreographic work : Production Cie DCA, Estelle Le Goasduff (Administration), Raphaëlle Gogny et Juliette Médevielle (Production), Frank Piquard (directeur délégué)

Production / Coproduction of the video work : Maison de la Danse

Our videos suggestions
03:46

La Valse de Vaslav

Tompkins, Mark (France)

  • Add to playlist
04:07

Icons

Tompkins, Mark (France)

  • Add to playlist
02:58

Deux-mille-dix-sept

Marin, Maguy (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
02:48

Questcequetudeviens ?

Bory, Aurélien (France)

  • Add to playlist
03:07

Skin

Tchouda, Bouba Landrille (France)

  • Add to playlist
01:57

Walk

  • Add to playlist
06:24

Colin Dunne & eRikm Project

Dunne, Colin (France)

  • Add to playlist
09:38

Sons of Sissy

Mayer, Simon (France)

  • Add to playlist
05:05

Locus Focus

Tanaka, Min (France)

  • Add to playlist
48:04

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
02:13

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
03:17

Ferry

Keller, Jennifer (United States)

  • Add to playlist
57:26

A Vida Enorme/performance

Huynh, Emmanuelle (France)

  • Add to playlist
02:40

Cartes postales de Chimère

Bédard, Louise (Canada)

  • Add to playlist
08:04

Yellow Towel

Michel, Dana (France)

  • Add to playlist
07:07

Its not a thing

Gaskin, Keyon (France)

  • Add to playlist
06:30

Sorrow Swag

Lewis, Ligia (France)

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

K. Danse's artistic partners

Exposition virtuelle

fr/en/

Dyptik Company

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more