To mark the 30th annual Eurockéennes Festival in Belfort, VIADANSE – Centre chorégraphique national de Bourgogne Franche-Comté à Belfort (National Choreographic Centre of Burgundy and Franche-Comté in Belfort – CCN Belfort) invited 18 choreographers, representing the wide diversity in the field of choreography. The film director Nicolas Habas followed them on the natural site of Malsaucy, from the beginning of the preparations for the festival, and throughout it to the end. The choreographers took part in all that happened, everywhere it happened (stages, technical storage management areas, traffic routes, crowds of audiences, backstage…) resulting in danced portrayals that documented in a recreational manner the impressive machinery needed to bring about the event.

Clip #18 – This final choreographic clip shot with the dancer-choreographer Tatiana Julien, amongst the public and on-stage, during the group Wenesday Campanella’s concert, with the collabor

 A graduate of the CNSMDP and the University of Paris VIII, Tatiana Julien is an interpreter for Cie 7273, Nathalie Pernette, Thomas Lebrun, Sylvain Prunenec, Olivia Grandville and Boris Charmatz.

In 2011, she founded her company, C’Interscribo. At the crossroads of languages, the company explores spectacular hybrid forms for stage and in-situ, mixing professionals and amateurs, and which question the artist's commitment to the world and the place of the spectator / citizen. 

Source:  C’Interscribo company

Nicolas Habas comes from cinema first, as a screenwriter and director of several short fiction films including Le mal de Claire, broadcast on French TV and documentaries (La parole en chantier, triptych on a popular neighborhood in urban renewal). He is very interested in the tensions between reality and the imaginary, society and intimacy, geography and territories. With a self-taught apprenticeship that led him to a deep understanding of the codes of the film industry, he decided to find «his» cinema and returned with Le Corps de la Ville, the web series anchored in dance, to his first loves, since he made his first dance video in 1998. Shot during the 30° Eurockéennes de Belfort Festival and Broadcast on Arte Concert, Mouvements is its second web series.

Filmography :

2022 Danse ton île - Documentary 52’ (support : HD, © JPL Productions/ AV Com Productions/ France Télévision).

2021 Le corps de la ville en Martinique - Documentary 52 ‘ and web series (support : HD, 10 x 5’, © JPL Productions/ WIPS Productions/ France Télévision).

2020 Pères en prison - Short documentary (support HD, time 5’ © Festival La Rochelle Cinéma/ studio Un Poil Court)

2019 Le corps de la ville à Nouméa - Documentary 52 ‘ and web series (support : HD, 10 x 5’, © JPL Productions/ AV Com Productions/ France Télévision).

2018 Mouvements - Documentary 26’ and web series (support : HD, 18 x 3’, © Séquence SDP/ Eurockéennes de Belfort/ Viadanse/ Ccn de Belfort/ Arte Concert).

2014/2019 Le corps de la ville - Web series (support : HD, 36 x 4’, © studio Un Poil Court in partnership with La Rochelle Cinéma Festival , Studio Chérie (Berlin), le Périscope (Lyon), Nocte Graus Festival (Spain), DAN.CIN.FEST, La Rochelle's CCN, En Knap Cie (Slovenia), Hors Série Cie, Propos Cie, Jean Claude Gallotta Cie and Lyon's CNSMD).

2011 Mauvaise graine - Short fiction (support : 35 mm, 21’, © CLC Productions/ Lyon TV).

2006/2012 La parole en chantier - Documentary triptych (support : HDV, 3 x 40’, © Petits bolides films/ Espace Louis Aragon).

2004 Le mal de Claire - Short fiction (support : Super 16 mm, 14’, © Lumina Films/France Télévision).

2000 En attendant septembre - Short fiction (support : DV, 30’, © Petits Bolides films/ Carré Image). 

1998 Marie au parc - Dance video (support : VHS, 7’, autoproduction).

 True to its spirit of eternal youth, the festival has not aged at the dawn of its fourth decade and once again stands out as the mirror of its time, retaining its place among the great historic European musical gatherings … Since 1989, there have already been 1,777 concerts with claimed eclecticism, having pleased almost 2,813,000 festival-goers, of all ages, all backgrounds and all nationalities! This social mix and diversity of abundant styles, gathered in the hollow of a green cocoon, a little parenthesis out of time, are each year synonymous with shared emotions and beautiful encounters. A festive communion with respect for nature, faithful to the solidarity commitments of a 100% associative festival and all of its partners, communities and local associations.