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2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Pericet, Olga (Spain)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Pericet, Olga (Spain)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Traditional genres, flamenco dance and music have been constantly renewed throughout the 20th century - challenging their codes and the folklore image clinging to them to reinvent themselves in the present. A figure of this renewal, Olga Pericet embodies the specificity of this dance in which the body is all at once percussion and form, surface and depth, abstraction and imaginary profusion. In her work, the construction of suspended moments, where the silhouette dreams and unfolds, alternates with sudden quickenings of pace, explosions of colours and rhythms that simply shake space. For her performance at the CND, she proposes two facets of her style: the first is a “dreamlike” mix, taken from her latest creation, in which the body passes through layers of images linked to female representations. In turn a flower woman, a child woman, sporty, joyful, wearing high heels, she draws upon Spanish cultural and dress codes to project this choreography of superimposed transformations and states. Interacting with the public and the music, she offers a moment of spontaneous and humorous sharing. In a more intimate atmosphere, the second work establishes a dialogue with the soul of the great dancer Carmen Amaya, whose sober style and rhythmic freedom revolutionised the art of flamenco: “a volcano lit by superb lightning flashes of Spanish music”, Charlie Chaplin said of her. Seeking, not to imitate her, but to conjure up her ghosts, Olga Pericet allows “the memory of this infinite body to take seed” and travels “the invisible path of her silences”.
Source: programme of the CND
Trained by some of the leading figures of modern flamenco, Olga Pericet has developed a unique approach to this dance form bursting with contained energy: a clever mixture of tradition and formal inventiveness combining bolero, Spanish classical dance and contemporary trends. The innovative gestural glossary she has forged is based on a balance between subtle geometry and rhythmic explosiveness.
In her works such as Rosa Metal Ceniza and De una Pieza, the flamenco rhythms are impacted by heterogeneous visual or cultural influences that work towards the renewal of this discipline.
Source: programme of the CND
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Interpretation : Olga Pericet
Stage direction : Direction Carlota Ferrer
Live music : Guitare Antonia Jimenez - Chant Inma « La Carbonera »
Production / Coproduction of the choreographic work : Production et diffusion Peineta Producciones.
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.