Skip to main content
Back to search
  • Add to playlist

IT'S ALL FORGOTTEN NOW - A performative mixtape for Mark Fisher

Ghosts V

Dachverband Tanz Deutschland e.V. 2020 - Director : Winkler, Christoph

Choreographer(s) : Winkler, Christoph (Germany)

Present in collection(s): Dachverband Tanz Deutschland e.V.

Video producer : Christoph Winkler

en fr

IT'S ALL FORGOTTEN NOW - A performative mixtape for Mark Fisher

Ghosts V

Dachverband Tanz Deutschland e.V. 2020 - Director : Winkler, Christoph

Choreographer(s) : Winkler, Christoph (Germany)

Present in collection(s): Dachverband Tanz Deutschland e.V.

Video producer : Christoph Winkler

en fr

It's All Forgotten Now

In January 2017, the British cultural scientist and pop theorist Mark Fisher took his own life. He became known to a wider audience through his work "Capitalist Realism" in which he addresses the widespread view that there is no alternative to capitalist reality. Fisher diagnosed a cultural exhaustion syndrome resulting from the collapse of temporality: the end of the world can be imagined, but the end of capitalism cannot.

While technological development has been accelerated by the Internet and related communication devices at a pace that is difficult to grasp, cultural progress has slowed to a standstill.

Consequently, Fisher sees the signs of exhaustion not only in the political and cultural operations of neoliberal societies but also on an emotional level. In the faces of his students, in apocalyptic Hollywood film sets or reality shows.

He did not want to come to terms with this and repeatedly demanded resistance:

"The tiniest event can tear a hole in the grey curtain of reaction which has marked the horizons of possibility under capitalist realism."

Fisher analysed rare Jungle records, obscure soundtracks, as well as films or books by contemporary authors. A music mix he put together had the same value as an essay.

With this project we try to create a performative mixtape which deals with some aspects and concepts of Mark Fisher.

Phenomena like hauntology or the strange and mysterious (the weird& the eerie) express themselves not only politically but also aesthetically.

They find their expression in music, film and dance and are the starting point for the piece.

Due to the corona crisis, many dancers* of the company could not arrive, but are connected from outside. They are the "ghosts" of this work and become a virtual part of the performance.

A circumstance that Mark Fisher would certainly have liked.

Winkler, Christoph

Christoph Winkler is one of the most versatile choreographers in  Germany. His work covers a wide range of formats and deals with topics  both of a very personal nature as well as highly political contributions  to current social discourse. 

Born in Torgau in the former GDR, he was a multiple Spartakiad winner  in the disciplines weightlifting and judo as a teenager. He then  studied martial arts and breakdance, before being accepted at the  National Ballet School in Berlin. After the fall of the wall, he danced  in video productions for MTV and worked as a bodyguard and construction  worker. In the early 1990’s, he performed in underground techno clubs.  Then he studied choreography for four years at the prestigious School  for Drama “Ernst Busch“ and founded Klangkrieg Productions, a platform  for experimental music. Under this label, he produce work by numerous  acclaimed musicians such as the Venetian Snares or Current Value. At the  same time, he also curated the festival AvantPop and organized parties  and concerts e.g. for the Fuckparade. 

After graduating from the Ernst Busch in 1998, he consciously chose  to continue working as an independent choreographer in Berlin. Right  from the start, he received much critical acclaim and numerous  invitations to festivals for his innovative dance style and minimalist,  rigorously composed, discursive dance dramas. 

In 2007, he founded the agency BERLIN GOGOS with "ehrliche arbeit –  freelance office for culture” as a way to commercially market  contemporary dance and address the economic situation of contemporary  dancers today. 

His works consistently deal with topics that reference issues  currently discussed in society at large, but that also directly pertain  to and affect the art form of dance. 

Recent works are: “Dance! Copy! Right?” (2012) about copyright in  art, especially in dance, “RechtsRadikal” about neo-Nazi women and “The  True Face – Dance Is Not Enough”, an entertaining overview of protest  art forms, both 2013. The solo “Baader – A Choreography of  Radicalisation” was invited to the German Dance Platform in 2012 and  dancer Martin Hansen was named Dance of the Year by the German leading  dance journal “tanz” that same year for his role in the piece. In 2014,  Winkler produced the solo “Hauptrolle” with Ahmed Soura from Burkina  Faso about the role of people of color on German stages, as well as the  dance heritage Tanzfonds Erbe piece “Abendliche Tänze” about the  subjective process of memory. That same year “The True Face” won the  FAUST Prize of the Deutsche Bühnenverein in the category “Best  Choreography”; it was the first time that this prize was awarded to a  piece produced entirely outside the German municipal and state theater  system. 

In spring 2015, he created the very intimate solo “La Fille- Portrait  of a Child” together with Emma Daniel, in which Christoph Winkler  reflected on his relationship with his own daughter, followed by “Golden  Stars on Blue” about the European comunity and its symbolism. In 2016,  he produced a series of shorter pieces  entitled „Studies on  Postcolonialism“ questions white dominance in an art form that prides  itself in its internationalism. That same year, he was once again  present at the FAUST awards, when Aloalii Tapu was named „Best Dancer“  for the solo „Urban Sou Café“ . In addition, he also initiated a  co-curated „The Witch Dance Project“ with Franziska Werner/Sophiensaele.  In 2017, within three months, he premiered five new pieces: an ensemble  project, two new solos, his first work for younger audiences, and his  first collaboration with the Cantus Domus Chor. For CTM 2018, he will  present the wide-ranging project „The Complete Expressionist“, a tribute  in music and dance to the multifaceted pioneer and pedagogue Ernest  Berk. 

In the last years he has performed with great success some musically inspired productions such as “Julius Eastman – Speak Boldly” or “We Are Going To Mars”. 

In 2020 Christoph Winkler was awarded one of the Tabori and in 2022 he received the Deutschen Tanzpreis.

In May 2022 he received the German Dance Award, the highest award for dance professionals in Germany.

Ssempijja, Robert

winkler, Christoph

Christopher Winkler is one of the most versatile choreographers in Germany. His work covers a wide range of formats and deals with topics both of a very personal nature as well as highly political contributions to current social discourse.   
Born in Torgau in the former GDR, he was a multiple Spartakiad winner in the disciplines weightlifting and judo as a teenager. He then studied martial arts and breakdance, before being accepted at the National Ballet School in Berlin. After the fall of the wall, he danced in video productions for MTV and worked as a bodyguard and construction worker. In the early 1990’s, he performed in underground techno clubs. Then he studied choreography for four years at the prestigious School for Drama “Ernst Busch“ and founded Klangkrieg Productions, a platform for experimental music. Under this label, he produce work by numerous acclaimed musicians such as the Venetian Snares or Current Value. At the same time, he also curated the festival AvantPop and organized parties and concerts e.g. for the Fuckparade.   
After graduating from the Ernst Busch in 1998, he consciously chose to continue working as an independent choreographer in Berlin. Right from the start, he received much critical acclaim and numerous invitations to festivals for his innovative dance style and minimalist, rigorously composed, discursive dance dramas.   
In 2007, he founded the agency BERLIN GOGOS with "ehrliche arbeit – freelance office for culture” as a way to commercially market contemporary dance and address the economic situation of contemporary dancers today.   
His works consistently deal with topics that reference issues currently discussed in society at large, but that also directly pertain to and affect the art form of dance.
Source : Christoph Winkler
More information : http://www.christoph-winkler.com/

Credits

Artistic direction / Conception : Robert Ssempijja

Choreography : Christoph Winkler

Interpretation : Robert Ssempijja, Kato Brovin

Text : Roger Robinson

Original music : Kevin Richard Martin " Kangaroo Care" 2019

Other collaborations : Sophiensaele (Berlin), Schalldruck (Berlin)

Production / Coproduction of the video work : Company Christoph Winkler

Our videos suggestions
03:00

D.opa! [Dopamines of post-Athenians]

Apergi, Patricia (Greece)

  • Add to playlist
05:05

Locus Focus

Tanaka, Min (France)

  • Add to playlist
05:54

Coupé Décalé Act 2

Carlès, James (France)

  • Add to playlist
05:56

All the misery in the world

  • Add to playlist
05:32

Sing Sing

Carlès, James (France)

  • Add to playlist
03:28

Kaz Bourbon - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
05:55

Dance, if you want to enter my country!

Matsune, Michikazu (France)

  • Add to playlist
04:21

DISPARUE (dehors)

Santander Corvalán, Marcela (France)

  • Add to playlist
04:51

A Taxi Driver, an Architect and the High Line

Huynh, Emmanuelle (France)

  • Add to playlist
02:52

Chamber Dance

Richard, Alban (France)

  • Add to playlist
09:01

Solo Origami

Alexandre, Yvann (France)

  • Add to playlist
44:40

ORIGAMI éclats performatifs Plié / Dépliés

Alexandre, Yvann (France)

  • Add to playlist
15:43

Nibetobo

Babingui, Chris bis (Nibetobo)

  • Add to playlist
09:16

Plissé Soleil [transmission 2014]

Théfaine, Flora (France)

  • Add to playlist
02:39

The spectator's moment (2017): Cirkus Cirkör

  • Add to playlist
08:32

Je ne sais plus qui a fait quoi

  • Add to playlist
10:34

Variations africaines

  • Add to playlist
02:03

Distinguished Hits [extrait 1]

La Ribot (France)

  • Add to playlist
02:30

Distinguished Hits [extrait 2]

La Ribot (France)

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Yield Variations on dissuasive urban furniture

Exposition virtuelle

fr/en/

Noé Soulier Rethinking our movements

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Pantomimes

Presentation of Pantomimes in the different types of dance.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/

“Dansons Maintenant”! A contemporary dance festival in Benin

Exposition virtuelle

fr/en/

EIVV 2022 Dancing with the camera

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Outdoor dances

Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.

Parcours

fr/en/

Rituals

Discover how the notion of ritual makes sense in various dances through these extracts.

Parcours

fr/en/

Genres and styles

Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more