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2018 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Matsune, Michikazu (Japan)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
2018 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Matsune, Michikazu (Japan)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
At a time when the strengthening of security measures has led to increasingly irrational situations, Michikazu Matsune takes a critical view of the current outlandishness of our control-driven societies. The structure of his performance was built up from the story of Abdur Rahim Jackson, the Afro-American dancer, and member of the Alvin Ailey American Dance Theater, who was forced in 2008 to demonstrate his profession at Tel Aviv airport, before being able to enter the territory of Israel. The frontier in an airport, a sensitive site for surveillance systems, thus becomes the scene for a distinctly “spectacular” discrimination, as the symbol of a paranoia which has now become institutionalised. Between a dance performance and a theatre of objects, bringing in video projections, photographs and narrative elements, Dance, if you want to enter my country! treats this headlong rush into absurdity with a critical gaze, opposing the lay of a free inventiveness to the repressive rationales of a globalised planet.
Born in Kobe (Japan), Michikazu Matsune lives and works in Vienna (Austria). At the crossroads between choreography and performance, his work examines the relationships between identity and globalisation, subject and object, actions and language, or the public and the private. He has developed an associated body of work in visual art through which he manages shifts between the stage and exhibition forms. Since 2012, he has been teaching dance at the Inter-University Centre for Dance in Berlin and the Salzburg Experimental Academy of Dance.
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Artistic direction / Conception : Michikazu Matsune
Artistic direction assistance / Conception : Andrea Gunnlaugsdóttir
Interpretation : Michikazu Matsune
Artistic consultancy / Dramaturgy : Retour artistique Mzamo Nondlwana
Text : Michikazu Matsune - Texte additionnel Jun Yang
Technical direction : Assistance technique Yuji Oshima
Other collaborations : Photographie Elsa Okazaki
Production / Coproduction of the choreographic work : Spectacle créé en juillet 2015 au Festival Sommerszne / Galerie 5020, Salzburg Présenté avec la Maison de la culture du Japon à Paris
Duration : 63 minutes
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.