Cinderella
1986 - Director : Reuterswärd, Mâns
Choreographer(s) : Marin, Maguy (France)
Present in collection(s): Numeridanse.tv
Video producer : ARTHAUS Musik, RM Arts, SVT-1
Cinderella
1986 - Director : Reuterswärd, Mâns
Choreographer(s) : Marin, Maguy (France)
Present in collection(s): Numeridanse.tv
Video producer : ARTHAUS Musik, RM Arts, SVT-1
Cinderella
The ballet Cinderella, by Sergei Prokofiev, was written as a commissioned work for the famous ballet company of the Kirov Theatre in what is now St Petersburg. Its premiere, however, actually took place in Moscow's Bolshoi Theatre on 21 November 1945. The work achieved international status with Frederick Ashton's version, which appeared under the English title of Cinderella in 1948. The accompanying recording of Sergei Prokofiev's ballet Cinderella is taken from a performance by the Opéra National de Lyon in 1989, choreographed by Maguy Marin. Set and costumes are by Montserrat Casanova, lighting design by John Spradbery, and the musical directorship of the Opéra National taken up by Yakov Kreisberg. Studio production of the Lyon Opera House recording was by Måns Reuterswärd.
Source : Arthaus musik
Marin, Maguy
Maguy Marin was born in Toulouse in 1951 and studied dance at the conservatory there before joining the Strasbourg Ballet. In 1970 she was accepted at Maurice Béjart’s school Mudra, where she stayed three years before becoming a soloist (for four seasons) with the Ballet of the 20th Century, under the direction of Maurice Béjart. A turning point would come at the end of this period seeing her shed all her previously held conceptions “allowing a multitude of creative choices, liberty and also constraints to emerge. Nothing was ever the same”. She also began questioning the body types idealized within the dance world, a subject that would become central in her work. “With Maurice Béjart the body was magnified. Youth, virtuosity, everything sparkled. And I had a problem with that. I asked myself what happened to all those other bodies, the ones that were infirm, misshapen or uncoordinated, but who managed to keep standing nonetheless.”
Between 1980 and 1997 Maguy Marin was based at the Maison des arts in Créteil, with her company becoming an official Choreographic Centre in 1985.
From 1998 until 2011 she directed the National Choreographic Centre in Rillieux-la-Pape. After which time the company once again became independent, setting up in Toulouse in order to continue their creative research. In 2015 the company moved again, this time to Sainte Foy-lès-Lyon, where they set up in an old carpentry factory. Their tenure there would allow them to continue to open up the immaterial space of that which is shared, something that obstinately seeks to make itself manifest while encouraging the unfolding of a new ambitious project: RAMDAM, AN ART CENTRE. It is a place of horizontal sharing, dedicated to hosting artists and audience members alike. It is also a place intent on facilitating an on-going exchange and continuous circulation between those conducting research, amateurs, students, spectators and volunteers; as well as creating bridges between different artistic practices, laboratories, places for public relations, education and reflection.
- 1978: Grand Prix du Concours chorégraphique international de Bagnolet - 2003: Grand Prix de la danse du Syndicat de la critique for
Les applaudissements ne se mangent pas
- 2003: American Dance Festival Award
- 2006: Special jury prize Syndicat de la critique for Umwelt
- 2008: Bessie Award for Umwelt presented at the Joyce Theater
- 2008: Grand Prix de la danse du Syndicat de la critique for Turba
- 2011: Prix Danza & Danza for “Best Contemporary Dance Piece » for Salves - 2016: Golden Lion, Venice Biennale
More information : compagnie-maguy-marin.fr
Reuterswärd, Mâns
Måns Ulrik Göstason Reuterswärd, born April 6, 1932 in Stockholm, is a Swedish film and television producer. He is the son of the garden architect Gösta Reuterswärd and since 1984 married the film producer Katinka Faragó.
Source : Wikipédia
Cendrillon
Choreography : Maguy Marin
Interpretation : Ballet de l'Opéra national de Lyon (direction Yorgos Loukos)
Stage direction : Maguy Marin
Original music : Sergei Prokofiev
Lights : John Spradbery
Costumes : Montserrat Casanova
Settings : Montserrat Casanova
Technical direction : Roland Karlsen
Production / Coproduction of the choreographic work : Christina Hörnblad (producteur), Jean-Pierre Brossmann (Directeur général), Jacques Hédouin (administrateur général)
Production / Coproduction of the video work : Mâns Reuterswärd (Réalisation vidéo), Production SVT-1 et RM ARTS en association avec LA SEPT, Channel 4 et ZDF 1989 - DVD DISPONIBLE CHEZ ARTHAUS MUSIK : www.arthaus-musik.com
Duration : 87'
La compagnie Vlovajobpru
Exposition virtuelle
La compagnie Vlovajobpru
Exposition virtuelle
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La Fondation BNP Paribas
Exposition virtuelle
La Fondation BNP Paribas
Exposition virtuelle
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COLLECTION BAGOUET
Exposition virtuelle
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La petite histoire de Numeridanse
Exposition virtuelle
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Exposition virtuelle
Comment ce projet un peu fou a-t-il été créé ? Et par qui ? Voici une exposition virtuelle qui nous permettra de répondre à toutes les questions que vous pourriez vous poser sur Numeridanse, l’occasion aussi de vous raconter notre histoire, et surtout celle de la plateforme...
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Exposition virtuelle
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Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ?
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Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
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If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
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Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
When reality breaks in
Parcours
When reality breaks in
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Meeting with literature
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Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Write the movement
Webdoc
Write the movement
Webdoc
Dance at the crossroad of the arts
Parcours
Dance at the crossroad of the arts
Parcours
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Exposition virtuelle
La Biennale de la danse
Exposition virtuelle
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Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians