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2017
Choreographer(s) : Ben Aïm, Christian & François (France)
Present in collection(s): Christian et François Ben Aïm
2017
Choreographer(s) : Ben Aïm, Christian & François (France)
Present in collection(s): Christian et François Ben Aïm
Christian and François Ben Aïm studied dance, physical theatre and circus skills before setting out to develop their performing careers independently in Canada and France.
They began collaborating in 1997 when they co-created their first piece, and went on to form their own company, CFB 451, in 1999. To date they have choreographed some twenty pieces together.
Their first piece, A l’abri du regard des hommes, avant d’aller mourir ailleurs, represents a cornerstone in their production. It is a hybrid piece in which dancers and actors feed off each other’s raw physical energy. La Frontera and Ne vous fiez pas au titre, il peut encore changer followed in the same vein, showcasing a style of dance that blends subtle humour with elements of surprise. In 2004 and 2006 they worked on a diptych inspired by the work of playwright Bernard-Marie Koltès, Carcasses, un œil pour deux and En plein cœur. The set designs and original musical scores of both pieces resonate with the texts.
Music has since played an increasingly significant role in their creations. Many of their choreographies are performed to original musical compositions (You're a bird, now!, Amor Fati Fati Amor, Louves, Résistance au droit, L'ogresse des archives et son chien, La forêt ébouriffée). In You're a bird, now! and L'ogresse des archives et son chien, the musicians and/or singer are part of the stage set and perform their music live.
The score for La légèreté des tempêtes (2014) was composed before the choreography was written, a first for the company. This allowed composer Jean-Baptiste Sabiani a great deal of creative freedom to interpret the theme of the piece. The music is played on stage by three cellists and a singer-percussionist.
Artistic direction / Conception : Christian et François Ben Aïm
Choreography : Christian et François Ben Aïm
Choreography assistance : Jessica Fouché, Mélodie Gonzales
Interpretation : Fabien Almakiewicz, Christian Ben Aïm, François Ben Aïm, Félix Héaulme
Set design : Camille Duchemin
Original music : Ibrahim Maalouf
Additionnal music : Sarah Dayan & Cécile Roubin, violons ; Guillaume Becker, alto ; Lydia Shelley, violoncelle
Lights : Laurent Patissier
Costumes : Camille Ait Allouache
Settings : Thierry Rasamiarisoa et Bruno Perachon
Sound : Hervé Le Dorlot
Other collaborations : Dramaturgie : Guillaume Poix, Régie générale : Luc Béril, Remerciements à : Claire de Zorzi, Patrick Berger, Patrice Pépin, Clémence Beauxis et Pierre Galais
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Webdoc
Webdoc
Parcours
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
Parcours
Parcours
In Poland, the culture of traditional dances has been well maintained : they are still transmitted today. This parcours able a visit between those different dances.
Parcours
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Parcours
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.