Avec, ou sinon rien
Avec, ou sinon rien
Eight dance stories put five characters in motion, cross five destinies and watch the oscillations of bodies and hearts amplify until they break. Eight danced stories observe the intimate creaks, the secret twists and contemplate the great collapses. They are a series of crescendo moments in pursuit of perfect harmony, of perpetual motion. Mingled with each other, they throw themselves in search of the ultimate resonance, that of harmony between beings and gods.
Eight dance stories come together to make one. The five characters meet again, cross each other on the taut thread of a single story, a single trajectory: that of one of them whose flight forward, the frantic race, is undoubtedly an interior journey that has them. maybe all invented to reinvent their lives.
Source: Compagnie Acte
After studying genetics in university, from 1986 she embraced a professional life in contemporary dance. After ten years as dancer with the Cie Hallet Eghayan in Lyon, since 2000 she has directed the Cie Acte for whom she has created more than 10 pieces, with many of them performed in and supported by the Biennale and the Maison de la Danse, in Lyon.
In 2008 she decided, with her team, to give the company a place to work, in Lyon, at the Studio des Hérideaux.
Her desire to communicate led her to put on workshops, dance conferences and master-classes (International Festival of Dance in Canton, China; ENSATT in Lyon; International Festival of Contemporary Dance in Freibourg, Germany; IRTS in Montrouge, etc.).
She feeds her artistic energy by working with researchers, architects, philosophers, urbanists, geographers… She is regularly invited to present her projects at public meetings (with in particular: Maud Le Floch, director of the Pôle des Arts Urbains; Pascal Lebrun-Cordier, artistic director of the ZAT in Montpellier and manager of Master Projets culturels dans l’espace public, at the Sorbonne (Paris); Dominique Pestre, science historian during a conference at the Musée des Confluences (Lyon); Raphaël Enthoven, the Nouveaux Chemins de la Connaissance on France Culture radio; Luc Gwiazdzinski, geographer, director of the Master Innovation et Territoire at the IGA in Grenoble…).
In 2013, she worked with the musicians of the Odyssée Ensemble & Cie and participated in their creation “Peplum”, for which she provided the choreography.
Source : The Cie Acte 's website
More information : compagnie-acte.fr
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
Artistic direction: Annick Charlot
Directed by Annick Charlot, choreographer and dancer, the Compagnie Acte was born in Lyon of the desire to share dance, to create a community, to create continuity between art and the world. Its first creations tell of resistance, resilience, the charnel confines of the human being. “Art as a way of creating a community”: this commitment to the world inflects the creative process of choreographer Annick Charlot, who little by little has distanced herself from spaces dedicated to dance to invest public spaces in the city, going so far as to include the public in the creative process, for example: "Lieu d'être", Manifeste Chorégraphique Pour l’Utopie d’Habiter" (creation and coproduction for the Biennale de la Danse in Lyon 2010). Her latest creation, "Journal d'un seul jour", a choreographic drama in the city lasting 24 hours, presented in May 2016 by the Maison de la Danse in Lyon, unites a number of the city’s locations and players (station, hotel, public square, hyper-market, public institutions and private companies…).
Source : Company Acte 's website
Avec, ou sinon rien
Artistic direction / Conception : Annick Charlot
Choreography : Annick Charlot
Interpretation : Agnès Canova, Cyril Geeroms, Aurélie Genoud, Émilie Harache, David Rodrigo Balsalobre
Artistic consultancy / Dramaturgy : Jacques Chambon
Set design : Paula Licastro
Original music : Yvan Perrier
Lights : Frédéric Dugied
Costumes : Etienne Couléon
Production / Coproduction of the choreographic work : Compagnie Acte, Maison de la Danse de Lyon, Toboggan de Décines, Maison du Peuple de Pierre Bénite
Production / Coproduction of the video work : Maison de la Danse de Lyon - Charles Picq, 2006
Duration : 80'
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A Rite of Passage
Käfig, portrait of a company
New breath : 21st century youth enters the world of dance
The national choreographic centres
Yield Variations on dissuasive urban furniture
(LA)HORDE: RESIST TOGETHER
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When reality breaks in
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[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
The “Nouvelle Danse Française” of the 1980s
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States of the body
Explanation of the term « State of the body » when it’s about dance.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
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Ballet pushed to the edge
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Genres and styles
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