ab [intra]
2022 - Director : Plasson, Fabien
Choreographer(s) : Bonachela, Rafael (Spain)
Present in collection(s): Maison de la danse , Saisons 2020 > 2024
Video producer : Maison de la danse
ab [intra]
2022 - Director : Plasson, Fabien
Choreographer(s) : Bonachela, Rafael (Spain)
Present in collection(s): Maison de la danse , Saisons 2020 > 2024
Video producer : Maison de la danse
ab [intra]
ab [intra], ‘from within’ in Latin, is ‘dazzling, electrifying, heartfelt’ – Limelight.
Exploring our primal instincts, our impulses and our visceral responses, ab [intra] is a journey through the intensity of human existence that will command your attention.
The music fuses lush cello with ambient electronica and the exquisite dancers occupy a visually arresting ethereal world.
This is a ferociously physical and emotional piece which will stay with you long after you leave the theatre.
Source: Sydney Dance Company
More information: www.sydneydancecompany.com
Bonachela, Rafael
Rafael Bonachela was born in Barcelona where he began his early dance training before moving to London, and in 1992 joined the legendary Rambert Dance Company.
He remained with Rambert as a dancer and Associate Choreographer until 2006 at which time he successfully set up the Bonachela Dance Company (BDC) to concentrate on the rapid rise of his choreographic career. As a choreographer, Rafael has been commissioned to make works for Candoco, George Piper Dances, ITDANSA Danza, Contemporanea de Cuba, Transitions Dance Company and Dance Works Rotterdam amongst others.
In 2008, Rafael premiered his first full-length production « 360° » for Sydney Dance Company. Less than six months later, he was appointed Artistic Director making headlines around the dance world. His vision for the Company embraces a guiding principle that has seen the repertoire grow with the addition of commissioned dance works from Australian and visiting international guest choreographers. The premiere works are often programmed alongside Rafael’s own creations, ensuring diversity for audiences and providing much sought after opportunities for his remarkable ensemble of dancers to be exposed to the work of some of the most in-demand choreographers of our time.
Rafael Bonachela’s internationally recognised talent has seen him work not only with contemporary dance at the highest level but also with artists from popular culture, such as Kylie Minogue, Tina Turner, Sarah Blasko and Katie Noonan as well as leading fashion designers Dion Lee and Toni Maticevski. Such collaborative efforts reflect the inspiration he finds and utilises from culture today.
Source : Sydney Dance Company 's website
More information
Olive, Caty
Trained at the École Nationale Supérieure des Arts Décoratifs of Paris, Caty Olive produces luminous creations and staging. Her time is shared between visual installations, choreographic and musical performances and projects of architecture or museography. She partners many choreographic projects from the contemporary scene with Marco Berrettini, Christophe Haleb, Martine Pisani, Myriam Gourfink, Emmanuelle Huynh, Claudia Triozzi Vera Mantero, Tiago Guedes, David Wampach, Blanca Li, Donata D’Urso, Cindy Van Acker, Joris Lacoste, etc….and enjoys a special working relationship with Christian Rizzo.
Source: ICI-CCN
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Sydney Dance Company
About the company
Dance changes you. More than simply witnessing something beautiful, or engaging with culture, to experience dance is to be positively altered. From performances at the Joyce Theatre in New York, to the Grand in Shanghai, the Stanislavsky in Moscow and the Sydney Opera House at home, Sydney Dance Company has proved that there are no passive observers in a contemporary dance audience.
The reward of truly moving audiences, and the raw pride of sharing Australian art with the world has driven our ensemble of 17 dancers, led by Artistic Director Rafael Bonachela, to become one of the world’s strongest forces in contemporary dance. Alongside Bonachela’s original works, our programs have featured guest choreographers like Jacopo Godani, Alexander Ekman, Gideon Obarzanek and Cheng Tsung-lung, as well as collaborations with Sydney Festival, Australian Chamber Orchestra, Sydney Symphony Orchestra, David Jones and composers Bryce Dessner, Nick Wales, 48nord and Ezio Bosso.
Sydney Dance Company has a broad community beyond the practice and performance of our lead dancers. We believe in the universality of dance, and with the largest public dance class program in Australia, we help over 70,000 people a year connect with the grace, strength and creativity that lives within all of us. Our nation-wide education program offers a strategic curriculum targeting primary and secondary students through to career focused study for pre-professional dancers and university graduates.
Our Origins
Sydney Dance Company began as a group founded in 1969 by dancer Suzanne Musitz. Soon known as The Dance Company (NSW), from 1975-1976 the Company was directed by Dutch choreographer Jaap Flier, before the appointment of Australian choreographer Graeme Murphy in 1976. In 1979 Murphy and his partner Janet Vernon instituted the defining name change to Sydney Dance Company and proceeded to lead it for a remarkable 30 years. Murphy and his collaborators created work that enthralled audiences in Australia and in extensive international touring, including being the first western contemporary dance company to perform in the People’s Republic of China.
Sydney Dance Company has been led since 2009 by Spanish-born Artistic Director Rafael Bonachela. Over the past eight years the Company has cemented its reputation as a creative powerhouse, with an acclaimed group of dancers presenting new work by Bonachela and other choreographers, designers, composers and musicians. The Company has expanded its reach into the towns and cities it visits with work for schools and local dancers.
Since 1986 the Company has been a resident of the purpose-built studios at The Wharf in Sydney’s Walsh Bay, minutes from the city’s famed Sydney Harbour Bridge and Sydney Opera House.
Source: Sydney Dance Company
More information: www.sydneydancecompany.com
ab [intra]
Artistic direction / Conception : Sydney Dance Company
Choreography : Rafael Bonachela
Original music : Nick Wales
Additionnal music : Klātbūtne - Pēteris Vasks
Lights : Damien Cooper
Costumes : David Fleischer
Settings : David Fleischer
Production / Coproduction of the choreographic work : Sydney Dance Company, Australia Council for the Arts, Arts NSW Trade and Investment
Production / Coproduction of the video work : Maison de la danse - Fabien Plasson, 2022
La compagnie Vlovajobpru
Exposition virtuelle
La compagnie Vlovajobpru
Exposition virtuelle
Découvrez le travail de la compagnie Vlovajobpru à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
(LA)HORDE : RÉSISTER ENSEMBLE
Exposition virtuelle
(LA)HORDE : RÉSISTER ENSEMBLE
Exposition virtuelle
Découvrez le collectif (LA)HORDE à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Strange works
Parcours
Strange works
Parcours
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Dancing bodies
Parcours
Dancing bodies
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
When reality breaks in
Parcours
When reality breaks in
Parcours
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
Avec cette exposition virtuelle et à travers la démarche du tandem fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur dernière pièce : FACÉTIES.
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Dansons Maintenant ! Festival de danse contemporaine au Bénin
Exposition virtuelle
Dansons Maintenant ! Festival de danse contemporaine au Bénin
Exposition virtuelle
Richard Adossou, dans l’Essence de notre danse, Awoulath Alougbin, 2011. Production Fondation Zinsou.
© Léandro Carignano
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.