Skip to main content
Back to search
  • Add to playlist

10 minutes d'écoute musicale

10 minutes d'écoute musicale

10 minutes d'écoute musicale

Kelemenis, Michel

French dancer and choreographer born in Toulouse in 1960.


After training as a gymnast, Michel Kelemenis begins dancing in Marseille at the age of 17. In 1983, he performs in the Centre Chorégraphique National de Montpellier with Dominique Bagouet and choreographs his first works, among which Aventure coloniale with Angelin Preljocaj in 1984. He was awarded the Villa Médicis Hors les Murs prize in 1987, and founded Kelemenis & cie (Association Plaisir d’Offrir) in the same year. In 1991, he received the Leonardo da Vinci scholarship and Japan’s Uchida Shogakukin fund. His numerous works (more than 60, of which 40 for his company) are performed throughout the world.


In love with movement and dancers, with those exceptional moments when gesture topples a role, Michel Kelemenis structures his works around the search for a balance between abstraction and figuration.


For his personal style, which combines finesse and athletic performance, the choreographer is invited to work with the ballets of the Paris Opera, the Rhin Opera, the Opera du Nord, the Geneva Opera and the Ballet National de Marseille.


In 2000, he directed the lyric and choreographic drama, L’Atlantide, by Henri Tomasi for the Marseille Opera. He has since collaborated with the Festival d’Art Lyrique of Aix-en-Provence: in 2003, he put to movement 4 animalacrobats in Stravinsky’s Renard, directed by Klaus-Michaël Grüber and conducted by Pierre Boulez; in 2004, he assisted Luc Bondy for the chorus movements in Handel’s Hercules, conducted by William Christie.


Since 2008, he starts a reflexion about narration concept, with an approach of creation for young audience.


Through Franch Institute, he participates regularly with French cultural services abroad in Krakow, Kyoto, Johannesburg and Los Angeles, in India, Korea and China. These trips engender training projects, new productions and bilateral exchanges with foreign companies and artists employing various modes of expression.


Numerous programs are organized in higher education and professional training institutions (Coline, Ecole Nationale de Danse de Marseille, and especially with the Conservatoire National Supérieur de Musique et de Danse de Lyon).


The 10th of december 2007, after 10 years of activity at the Studio/Kelemenis, the Conseil Municipal of Marseille votes in favor of the project Centre de danse en résidence conceived and initiated by the choreographer. Intituled KLAP Maison pour la danse, Construction begins in February 2010 with a completion date planned for spring of the following year.


Source : Kelemenis&cie


More information : http://www.kelemenis.fr/fr/

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

10 minutes d'écoute musicale

Choreography : Michel Kelemenis

Interpretation : Catherine Legrand et Michel Kelemenis

Additionnal music : Montage de chansons interprétées par Christophe et France Gall

Video conception : La captation est réalisée par Charles Picq, en juin 1985, voie 1 en gare de Montpellier, dans le cadre du festival Montpellier danse

Costumes : Catherine Legrand

Production / Coproduction of the choreographic work : Centre chorégraphique national de Montpellier

Duration : 10 minutes

Our videos suggestions
05:18

Reusable Parts/Endless Love

Gerard, Brennan (France)

  • Add to playlist
02:08

Mistermissmissmister

Borralho, Ana (France)

  • Add to playlist
04:10

La Bête

Schwartz, Wagner (France)

  • Add to playlist
04:21

DISPARUE (dehors)

Santander Corvalán, Marcela (France)

  • Add to playlist
10:34

Variations africaines

Variations africaines (Senegal)

  • Add to playlist
05:40

Workshop 2017

Workshop 2017 (France)

  • Add to playlist
05:13

The Palm of your Hand # 2

Tussing, Vera (France)

  • Add to playlist
06:25

FF>>

FF>> (Brazil)

  • Add to playlist
05:05

Vit Gestalt

Vit Gestalt (Sweden)

  • Add to playlist
08:32

Je ne sais plus qui a fait quoi

Je ne sais plus qui a fait quoi (Benin)

  • Add to playlist
02:50

Skin in the Grass

Sanderson, Melissa (United States)

  • Add to playlist
07:11

Awaken

Lee, Jamie (Belgium)

  • Add to playlist
06:31

Husk

Lawrence, Tori (United States)

  • Add to playlist
10:54

Desert Widow

Guyon, Jil (United States)

  • Add to playlist
14:00

Chantier autorisé au public

Ganga Bouetoumoussa, Boris (Chantier autorisé au public)

  • Add to playlist
05:09

Extérieur Nuit

Extérieur Nuit (France)

  • Add to playlist
02:07

Ping Pong

Ping Pong (France)

  • Add to playlist
03:03

Odyssey XXI

Odyssey XXI (France)

  • Add to playlist
08:40

Dissecting the Blossom

Kasthuri, Prasanna (United States)

  • Add to playlist
20:35

CLOUD / Ensa

Alexandre, Yvann (France)

  • Add to playlist
Our themas suggestions

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more

Dance and music

Parcours

Anne Décoret-Ahiha

Dance and music

Parcours

The relationship between music and choreographic works varies throught dance history.

Discover
Know more

The contemporary Belgian dance

Parcours

Philippe Guisgand

The contemporary Belgian dance

Parcours

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more