Waiting
Waiting
Waiting
"My body is waiting for something… That is all there is to it. My subject is Onan, the sensual Biblical character who gave his name to onanism. The Bible and sensuality… I find mixtures like this stimulating. Onan is absolute, total pleasure in terrifying solitude.
Behind this quest for solitary ecstasy lies the fear of nothingness, that point where life and death come face to face. Sometimes that vacuum fills my body like a desire for death.
DESIRE… There is a desire that vibrates inside me, and for many years I have been in search of that precise point where the trembling lies… It is perhaps this wave of vibration that is the source of my dancing."
Source: Carlotta Ikéda
More information: ariadone.fr/eng
Ikeda, Carlotta
Sanae Ikeda was born in Fukui, a village on the Japanese Sea: « I used to walk in the country, and dizzy with all the smells of the plants, with all the nuances in the atmosphere, I danced » (...)
The kind of dance you learn came later, in Tokyo. « Rice sprout » (Sanae) was 19 when she first went through the door of a « dance course ». But at that time, the Butô, that « dance of darkness » was born in Japan. Tatsumi Hijikata had invented it, that angel and devil who was to proclaim in 1968 the revolt of the flesh. Like other young people in her generation, Carlotta threw her body into battle. This life-long involvement can by no means be regarded as naiveorinnocent. (...)
Whoever has seen Carlotta Ikeda dancing knows to what point she masters that art of metamorphosis, how she can make it at the same time obvious and invisible, how she can extend the time of the vision in a « slowness of movement allowing all possible interpretations » (Paul Claudel). The metamorphosis at stake here is not that of an histrion, one who knows how to make a caricature out of expressive imitations. In Carlotta Ikeda, this is a change of inner state, involving the whole body (...)
Ariadone, the company that Carlotta Ikeda founded in 1974, refers to that Ariane s thread, that follows Carlotta Ikeda from one show to the next (...)
Source: Cie Ariadone 's website (Jean-Marc Adolphe)
More information : ariadone.fr
Waiting
Choreography : Carlotta IKEDA
Interpretation : Carlotta IKEDA
Artistic consultancy / Dramaturgy : Stéphane VERITE
Set design : Michel BOULANGER
Original music : Kamal HAMADACHE
Lights : Eric LOUSTAU-CARRERE
Sound : Kamal HAMADACHE (régie)
Other collaborations : Laurent RIEUF (Régie Plateau)
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Strange works
Parcours
Strange works
Parcours
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Scenic space
Parcours
Scenic space
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Dance and visual arts
Parcours
Dance and visual arts
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
The contemporary Belgian dance
Parcours
The contemporary Belgian dance
Parcours
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
Arts of motion
Parcours
Arts of motion
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Genres and styles
Parcours
Genres and styles
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Parcours
When reality breaks in
Parcours
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
Parcours
Butoh
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.