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2014 - Director : Freeman, Mark
Choreographer(s) : Rianto (Indonesia)
Present in collection(s): Centre de Vidéo Danse de Bourgogne
Video producer : Mark Freeman
2014 - Director : Freeman, Mark
Choreographer(s) : Rianto (Indonesia)
Present in collection(s): Centre de Vidéo Danse de Bourgogne
Video producer : Mark Freeman
A dance for the high-risk, physically demanding camera. Rianto seems to be in a trance when he creates an unpremeditated encounter with the elements. He describes the work as a tree without roots.
Source: Mark Freeman
Born in 1981 Kaliori village, Banyumas, Rianto trained in classical Javanese dance and East Javanese folk dance from a young age, specialising in the cross gender form of Lengger. Rianto has been based in Tokyo, Japan since 2003 where he founded the Classical Javanese dance company, Dewandaru Dance Company. He has worked with a spectrum of international choreographers, performance makers and companies whilst remaining dedicated to his training and own voice for contemporary Javanese performing arts.
Source: Akram Khan Dance Company
Mark Freeman, a documentary filmmaker is a Professor of Television, Film and New Media in the School of Theatre, Television and Film at San Diego State University. He has produced and directed, written and edited programs for broadcast on American public television. Freeman's documentaries have won numerous awards including a Gold Apple at the National Educational Film and Video Festival, a Certificate of Merit at the Chicago International Film Festival and a Red Ribbon at the American Film and Video Festival. They are in the collection of libraries and universities throughout the country, and have screened at museums (...)
Source: Mark Freeman Films
More information: markfreemanfilms.org
Choreography : Rianto Montage
Interpretation : Rianto Montage
Original music : Yasuhiro Morinaga
Video conception : Réalisation : Mark Freeman (markfreemanfilms.org) - Montage : Cari Ann Shim Sham - Cadrage : Purbo Wahyono
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Exposition virtuelle
Exposition virtuelle
Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/).
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.