Skip to main content
Back to search
  • Add to playlist

100% polyester, objet dansant n°( à définir)

Numeridanse 1999

Choreographer(s) : Rizzo, Christian (France)

Present in collection(s): Numeridanse

en fr

100% polyester, objet dansant n°( à définir)

Numeridanse 1999

Choreographer(s) : Rizzo, Christian (France)

Present in collection(s): Numeridanse

en fr

100% polyester, objet dansant n°( à définir)

Rizzo, Christian

Christian Rizzo was born in 1965 in Cannes. His artistic career began in Toulouse, where he started a rock band and designed a line of clothing, after which he studied fine arts at the Villa d'Arson in Nice, then unexpectedly branched out into dance.

In the 90s he performed with a number of contemporary choreographers including mathilde monnier, herve robbe, mark tompkins and georges appaix, and sometimes created soundtracks and costumes for them as well.

He also worked with choreographers with a different artistic approach, such as vera mantero, catherine contour, emmanuelle huynh and rachid ouramdane.

In 1996 he founded l'association fragile and began presenting events, dancing objects, solos and group pieces, as well as various projects and commissioned work in fashion and the visual arts.

Since then, over thirty projects have borne fruit, not counting his pedagogical activities. Christian rizzo teaches on a regular basis in art schools in France and abroad, as well as in establishments devoted to contemporary dance.

On January 1st, 2015, Christian Rizzo takes the lead of the National Choreographic Center of Montpellier. Now called ICI (International Choreographic Institute), the CCN offers a transversal vision of creation, training, artistic education and openness to the public.

Source : Website of ICI, CCN of Montpellier

More information :

http://ici-ccn.com/

http://www.lassociationfragile.com/

Our videos suggestions
05:33

R.E.S.E.T© : Exemple d'exercice

Carlès, James (France)

  • Add to playlist
03:01

Zugzwang

Bleton, Mathieu (France)

  • Add to playlist
12:19

Sans titre, 2000, avec Nuno Bizarro

  • Add to playlist
03:00

Silent Collisions

Flamand, Frédéric (France)

  • Add to playlist
19:33

Sans titre, 2000, avec Nuno Bizarro

  • Add to playlist
12:00

Sans titre, 2000, avec Nuno Bizarro

  • Add to playlist
06:04

Adieu et merci

Laâbissi, Latifa (France)

  • Add to playlist
03:57

Air

Schwarz, Nina (Germany)

  • Add to playlist
04:03

Dé-marche

Buffard, Alain (France)

  • Add to playlist
05:32

Mauvais genre

Buffard, Alain (France)

  • Add to playlist
04:26

Self&Others

Buffard, Alain (France)

  • Add to playlist
17:27

Sans titre, 2002, avec Franco Senica

  • Add to playlist
08:20

Sans titre, 2002, avec Nuno Bizarro

  • Add to playlist
18:19

Sans titre, 2002, avec Franco Senica

  • Add to playlist
15:57

Sans titre, 2002, avec Franco Senica

  • Add to playlist
15:26

Sans titre, 2002, avec Franco Senica

  • Add to playlist
08:27

Sans titre, 2000, avec Nuno Bizarro

  • Add to playlist
08:13

Sans titre, 2000, avec Nuno Bizarro

  • Add to playlist
08:33

Sans titre, 2001, avec Maria Donata d'Urso

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

K. Danse's artistic partners

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance

At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!  

Parcours

fr/en/

New breath : 21st century youth enters the world of dance

Exposition virtuelle

fr/en/

Noé Soulier Rethinking our movements

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Dancing bodies

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

EIVV 2022 Dancing with the camera

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more