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ORIGAMI Miniatures - 2019

Version scène - Collégiale Saint-Martin d'Angers

Cie Yvann Alexandre 2019 - Director : Devilliers, Philippe

Choreographer(s) : Alexandre, Yvann (France)

Present in collection(s): Cie Yvann Alexandre

Video producer : Association CRC - Compagnie Yvann Alexandre

en fr

ORIGAMI Miniatures - 2019

Version scène - Collégiale Saint-Martin d'Angers

Cie Yvann Alexandre 2019 - Director : Devilliers, Philippe

Choreographer(s) : Alexandre, Yvann (France)

Present in collection(s): Cie Yvann Alexandre

Video producer : Association CRC - Compagnie Yvann Alexandre

en fr

ORIGAMI Miniatures - 2019

ORIGAMI Miniatures

Creation 2019 - stage version

Yvann Alexandre Company

Interpretation: Anthony Cazaux, Fabrizio Clemente, Guillaume Ozanne, Claire Pidoux and Marie Viennot


Capture made on May 14, 2019 at the Collegiate Church of Saint-Martin d'Angers

In collaboration with the  Centre des Monuments Nationaux - Monuments en mouvement and the Collégiale Saint-Martin of Angers


Directed by Philippe Devilliers

www.cieyvannalexandre.com

all rights reserved May 2019

ORIGAMI Miniatures | création 2019

 

ORIGAMI Miniatures | création 2019

"Origami Miniatures est une pièce de corps, ce sont eux qui racontent le fil sur scène dans un format très épuré. Déracinement, de la poussière, une énergie d’urgence, frontale et élégante à la fois, Origami Miniatures est une pièce riche de ses contrastes qui convoque les corps, puissants et délicats, et au même titre que le cérébral. Une dualité qui se loge dans toutes les couches, multiples, de la pièce, qui symbolise tout l’univers du chorégraphe." MP

Solo Gronde
Une boite noire, un cube noir. Et tous ses secrets-âmes en son fond. Ce solo qui reconvoque l’espace intime des échos de l’enfance implique un corps qui se désarme. Déplier l’armure, désosser l’obligation verticale, permettre au voyage intérieur de s’engager sont les moteurs de ce solo Gronde magistralement interprété.

Au lever du jour, duo
Le départ et l’élan construisent l’énergie atypique de ce duo pour une interprète et un batteur en live. Le grand départ, le départ du mouvement, le départ d’un point à l’autre et l’élan pour enclencher. Un face à face sanguin et poétique, sensible pour un concert d’émotions.

Campo Santo, pour un jardin intérieur
Le trio est un pacte. Un pacte de trois différences radicales qu’incarnent la personnalité physique et sensible des interprètes, deux hommes et une femme. Dans un espace-cimetière où l’on dépose reliquaires et os, où l’on se dépose, se réinvente à trois la possible légèreté, la possible liberté. Tels une tribu, une famille, une armée, tour à tour dans l’élan ou la retenue, l’attaque ou la solidarité, dans un jeu complexe, se dessine les enjeux d’un pacte ou se (re)vivre.

Alexandre, Yvann

Born in La Roche-Sur-Yon in 1976, Yvann Alexandre began dancing at the Amicale Laïque du Bourg and at the Conservatory of his hometown, then in La Rochelle with Colette Milner, Christine Girard and Brigitte Asselineau. He continued his training in Montpellier with Epsedanse directed by Anne-Marie Porras and, at the same time, also trained at Montpellier CCN (National Choreographic Centre) then under the direction of Mathilde Monnier. During this period, his encounter with Christian Bourigault and other foundational teachings led him to forge the bases of his creative work and his pedagogy. At just sixteen years old, he composed his first works and went on to establish his company in Montpellier in 1993. He produced his first creations for the Hivernales in Avignon and for Montpellier Danse festival.

In addition to his creations, performed on numerous prestigious stages and festivals in France and abroad, he was also the guest of the CNSMDPs (Higher National Conservatories of Music and Dance) of Paris and Lyon, of Quebec and Montreal, as well as the National Choreographic Centre in Nancy and the Nordwest Tanzcompagnie in Germany.

He gained a reputation over these 25 seasons of creation as the representative of abstract, highly-premeditated dance, far removed from the performances and improvisations of others of his generation, and had a particular interest for movement writing.

Even today, his work addresses reflection which focuses on the very substance of dance, where the notion of plasticity gives way to the movement’s own energy, all the while remaining faithful to the idea of line, an element which has existed for him from the very beginning. His creations place movement and scenography on the same footing, like two subjects on equal terms: the plastic matter totally interacting with the body-matter.

His extremely precise body language is full of details and is structured like rather intimate calligraphy.


Source: Cie Yvann Alexandre


More information: http://www.cieyvannalexandre.com/

Devilliers, Philippe

“Videographer”, a curious word, a Métis word which has been translated for more than 20 years in Philippe Devilliers by images in which video is the medium which allows him to express his sensitivity to art and its actors: the artists. Through his teasers and making offs, his clothing for creations, he shows bodies and participates in stories. Witness and stakeholder of these imaginary realities, he has notably collaborated with cie charabia, cie non nova, gerardo jerez lecam, production Dekalage, choreographer n. béasse ... the story begins with y. alexandre and his dancers with the creation Le Corps Sombre in 06 then continued with Silences duos and Passages in 07, then Venenum Amoris in 09. He also contributed to the video creation of the project l'Autre et moi en 10, Cloud en 14 , Les Soli Noirs in 15, Les Fragments Mobiles in 2017.

Source: Cie Yvann Alexandre

Compagnie Yvann Alexandre

Créée en 1993, la Compagnie Yvann Alexandre est une compagnie professionnelle de danse contemporaine phare de la région des Pays de la Loire. Attachée depuis ses débuts aux allers-retours entre professionnels, amateurs et tout public, tout en proposant ses créations, la compagnie tisse une politique d’échanges, de rencontres et de formation. Au-delà de la simple diffusion, la compagnie mène un projet audacieux, exigeant et rayonnant à la croisée de la création, de la transmission et des territoires.


La compagnie développe ses créations, sur scène ou in situ, autant sur le territoire local qu’à l’international et les créations récentes pour la scène nationale de Sceaux, le Panama, la Tunisie ou le Centre des Monuments nationaux par exemple, témoignent de ces territoires investis. Un projet qui s’écrit ente fidélité assumée après 27 saisons chorégraphiques et nouvel élan avec des partenaires renouvelés.


Elle construit depuis 2004 un lien étroit avec le Québec, sous la forme de résidences de création, de diffusion et de développement de public et qui prendra un nouvel élan prochainement avec le lancement d’ARCHIPEL : un ensemble de partenaires culturels solidaires aux écosystèmes diversifiés et mutualisés pour un nouveau modèle de coopération culturelle.


Particulièrement attentive à l’ouverture sur l’art chorégraphique dès le plus jeune âge, la compagnie développe et construit à partir des créations des parcours multiples à destination du monde scolaire dans un projet novateur et reconnu. Des parcours conjugués, croisés et transversaux dont la Petite Université de la Danse en est le coeur.


Yvann Alexandre est un chorégraphe de lieux. Depuis ces débuts. En 2019, la compagnie prend la direction artistique du Théâtre Francine Vasse à Nantes avec un projet innovant qui démarre par la transmission pour arriver à l’oeuvre : Les Laboratoires Vivants. Un lieu pour les autres, un lieu ensemble. Pour faire oeuvre ensemble.


www.cieyvannalexandre.com

ORIGAMI Miniatures - 2019

Artistic direction / Conception : Yvann Alexandre

Interpretation : Anthony Cazaux, Claire Pidoux, Fabrizio Clemente, Guillaume Ozanne, Marie Viennot

Artistic consultancy / Dramaturgy : Jean-Louis Moissonnié

Lights : Jérémie Guilmineau

Sound : Jérémie Morizeau

Other collaborations : Michael Remigereau/Jérémie Morizeau

Production / Coproduction of the choreographic work : Louisiane Pasquier

Production / Coproduction of the video work : Philippe Devilliers

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