Skip to main content
Back to search
  • Add to playlist

Musique de tables

Numeridanse 1998 - Director : De Mey, Thierry

Choreographer(s) : De Mey, Thierry (Belgium)

Present in collection(s): Numeridanse , Charleroi danses [2005-2016]

Video producer : Sophimages

en fr

Musique de tables

Numeridanse 1998 - Director : De Mey, Thierry

Choreographer(s) : De Mey, Thierry (Belgium)

Present in collection(s): Numeridanse , Charleroi danses [2005-2016]

Video producer : Sophimages

en fr

Musique de tables

 

Musique de tables is the film of the visual and music work of the same name created in 1987 : Three percussionists, each with only a little table as an instrument. The positions of the fingers and the hands and the rhythmic patterns are codified in a repertory of original symbols employed in the score. Musique de tables sets out to explore the delicate line between music and the movement that produces sound.

Scenario, film direction and music Thierry De Mey
-
Production Sophimages
In co-production with la RTBF, NPS
In collaboration with Canvas et ZDF/ARTE
With support from la Communauté française de Belgique
With the assistance of Centre du Cinéma et de l’Audiovisuel

More information

www.charleroi-danses.be

Dernière mise à jour : décembre 2012

De Mey, Thierry

De Mey, Thierry

Thierry De Mey, born in 1956, is a composer and filmmaker. An instinctive feel for movement guides his entire work, allowing him to tackle and integrate a variety of disciplines. The premise behind his musical and filmic writing is the desire for rhythm to be experienced in the body or bodies, revealing the musical meaning for the author, performer and audience. He has developed a system of musical writing for movement used in pieces where the visual and choreographic aspects are just as important as the gesture producing the sound, such as in "Musique de tables" (1987), "Silence must be!" (2002) and "Light Music", which premiered at Lyon's Musiques en Scène biennial festival in 2004.


A large part of his music production is intended for dance and cinema. He has often been more than a composer for the choreographers Anne Teresa De Keersmaeker, Wim Vandekeybus and his sister Michèle Anne De Mey, offering his precious collaboration in the invention of "formal strategies" – to use a favourite expression of his. Among his main work let us mention "Rosas danst Rosas", "Amor constante", "April me", "Kinok" (choreographies by A. T. De Keersmaeker), "What the body does not remember", "Les porteuses de mauvaises nouvelles", "Le poids de la main" (choreographies by W. Vandekeybus), "Dantons Töd" (dir. Bob Wilson), "Musique de table", "Frisking" pour percussions, un quatuor à cordes, "Counter Phrases", etc.


He participated in the foundation of Maximalist! and the Ictus ensemble which created several of his pieces (dir. G E Octors). His music has been performed by major ensembles such as the Arditti Quartet, the Hilliard Ensemble, London Sinfonietta, Ensemble Modern, Muzikfabrik and the Orchestre Symphonique de Lille. Thierry De Mey's installations, in which music, dance, video and interactive processes work together, have been presented in events such as the Venice and Lyon biennials as well as in many museums. His work has received national and international awards (Bessie Awards, Eve du Spectacle, Forum des compositeurs de l'Unesco, FIPA, etc). The film/installation "Deep in the wood" (2002-2004) involved more than 70 dancers/choreographers. For the film "Counter Phrases" (2003-2004), nine composers answered his dance/film invitation : S. Reich, F. Romitelli, M. Lindberg, T. Hosokawa, G. Aperghis, J. Harvey, L. Francesconi, R. De Raaf and S. Van Eycken. In 2003, the working process with ATDK for "April me" was the subject of a documentary entitled "Corps accord", produced by ARTE which has also broadcast and co-produced most of his films.

Since July 2005, Thierry De Mey is artistic director of Charleroi/Danses along with Pierre Droulers, Michele Anne De Mey and Vincent Thirion.


In 2006, he realised an installation adapted from Perrault's tale, "Barbe Bleue" (Bluebeard), plus a film, "One Flat Thing, reproduced" based on the choreography by William Forsythe and broadcast by Arte in October. In 2007 he made From Inside for the Charleroi/Danses Biennale, an interactive installation in the form of a triptych. For the 2009 Charleroi/Danses Biennale, he created "Equi Voci", a polyptych of dance films accompanied by orchestral music and which includes "Prélude à la mer", a film based on one of Anne Teresa De Keersmaeker's most beautiful choreographies which he shot by the Aral Sea in October 2009. His latest film – "La Valse", choreographed by Thomas Hauert and the ZOO dance company – completes and close this project.


Source : Charleroi/danses


More information : www.charleroi-danses.be

Musique de tables

Artistic direction / Conception : Thierry De Mey

Original music : Thierry De Mey

Production / Coproduction of the video work : Production Sophimages En co-production avec la RTBF, NPS En collaboration avec Canvas et ZDF/ARTE Avec le soutien de la Communauté française de Belgique Avec l'aide du Centre du Cinéma et de l'Audiovisuel

Our videos suggestions
02:51

Borobudur

  • Add to playlist
06:45

Tres miradas al Limbo

  • Add to playlist
03:48

Synchronicity

Carlson, Carolyn (France)

  • Add to playlist
03:00

Drumming / Fragment #3

De Keersmaeker, Anne Teresa (France)

  • Add to playlist
02:24

Drumming / Fragment #2

De Keersmaeker, Anne Teresa (France)

  • Add to playlist
02:30

Drumming / Fragment #1

De Keersmaeker, Anne Teresa (France)

  • Add to playlist
03:39

BOUGE #2

Lamotte, Sylvère (France)

  • Add to playlist
04:44

Tremor and more

Diephuis, Herman (France)

  • Add to playlist
04:59

Pavillon

Teodoro, Ana Rita (France)

  • Add to playlist
03:01

Dans l'engrenage

Marchiche, Souhail (France)

  • Add to playlist
03:10

Et mon coeur a vu à foison

Richard, Alban (France)

  • Add to playlist
03:51

Juego versión 1.1

Kaeja, Allen (Mexico)

  • Add to playlist
03:55

Out of focus

Carlson, Carolyn (France)

  • Add to playlist
02:58

Asobu

Nadj, Josef (Hungary)

  • Add to playlist
28:47

Close-ups and movement continuity in dances for the camera

  • Add to playlist
04:22

Perhaps she could dance first and think afterwards

Mantero, Vera (France)

  • Add to playlist
04:51

Faits et gestes

Soulier, Noé (France)

  • Add to playlist
03:01

Hymnen

Deschamps, Didier (France)

  • Add to playlist
04:18

Figures non obligées

Benne, Bruno (France)

  • Add to playlist
08:18

S'envoler

Clareton, Estelle (France)

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

K. Danse's artistic partners

Exposition virtuelle

fr/en/

Dyptik Company

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

Noé Soulier Rethinking our movements

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

EIVV 2022 Dancing with the camera

Exposition virtuelle

fr/en/

Charles Picq, dance director

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Genesis of work

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Parcours

fr/en/

Hand dances

This parcours presents different video extracts in which hands are the center of the mouvement.

Parcours

fr/en/

Mexican Video Dance

Exposition virtuelle

fr/en/

The contemporary Belgian dance

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more